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    - Hiroshige Ando (1797-1858) Teppô zu, Tsukuda jima, Oshiage Hagidera, Ôji gongen gosairei he Edo Meisho harimaze zue, Harimaze series of famous Edo views. Series of 10 pl. Date: year of the snake 1857. Signed Hiroshige ga. Seal of the artist Hiro. Format oban tate-e: 36.8 x 23.7 cm Publisher's seal Yamadaya Shôjiro. Aratame censor seal. Red Baidô seal at top right, probably a collector's seal. Beautiful proof with slightly faded colors. Cut on the left. Binding holes on the right. Bibliography: by Utagawa Hiroshige, 1857

    - Hiroshige Ando (1797-1858) Tepp么 zu, Tsukuda jima, Oshiage Hagidera, 脭ji gongen gosairei he Edo Meisho harimaze zue, Harimaze series of famous Edo views. Series of 10 pl. Date: year of the snake 1857. Signed Hiroshige ga. Seal of the artist Hiro. Format oban tate-e: 36.8 x 23.7 cm Publisher's seal Yamadaya Sh么jiro. Aratame censor seal. Red Baid么 seal at top right, probably a collector's seal. Beautiful proof with slightly faded colors. Cut on the left. Binding holes on the right. Bibliography: ,1857

    oban
    36.8 x 23.7 cm
    Estimate:
    Result:
    - Hiroshige Ando (1797-1858) Harimaze of famous Edo views Top left, Meguro Fudô waterfall (Meguro Fudô no taki). In the center, cherry blossoms in Ueno (Ueno Hana Mi). On the right, a fish merchant in Nihonbashi. Bottom left, a maple tree in autumn foliage at Kaianji temple (Kaianji kôfû). he Edo Meisho harimaze zue series, Various prints of famous Edo places. 10 pl. Plate 1. Date: 1857 snake 7 (Ansei 4). Signed Hiroshige ga. Hiro seal. Aratame censor seal. Publisher Yamada. Format oban tate-e: by Utagawa Hiroshige, 1857

    - Hiroshige Ando (1797-1858) Harimaze of famous Edo views Top left, Meguro Fud么 waterfall (Meguro Fud么 no taki). In the center, cherry blossoms in Ueno (Ueno Hana Mi). On the right, a fish merchant in Nihonbashi. Bottom left, a maple tree in autumn foliage at Kaianji temple (Kaianji k么f没). he Edo Meisho harimaze zue series, Various prints of famous Edo places. 10 pl. Plate 1. Date: 1857 snake 7 (Ansei 4). Signed Hiroshige ga. Hiro seal. Aratame censor seal. Publisher Yamada. Format oban tate-e: ,1857

    oban
    36.5 x 25.2 cm
    Estimate:
    Result:
    - Hiroshige Ando (1797-1858) Odawara he Gojusan tsugi Meisho Zue series, The Fifty-Three Tokaido Stations. This is the 10th station. Date: 1855 (Year of the Rabbit). Signed Hiroshige ga. Publisher Tsutaya. Kiwame censor seal. Format oban tate-e: 34.3 x 22.5 cm Fine proof. Margins cut. Bibliography: E. F. Strange p.151-152, 10. - Hiroshige Ando (1797-1858) Yokkaichi Noko no Ura Mie Gawa Yokkaichi, Nako Bay, Mie River he Gojusan Tsugi Meisho Zue series, The Fifty-Three Tokaido Stations. This is th by Utagawa Hiroshige, 1855

    - Hiroshige Ando (1797-1858) Odawara he Gojusan tsugi Meisho Zue series, The Fifty-Three Tokaido Stations. This is the 10th station. Date: 1855 (Year of the Rabbit). Signed Hiroshige ga. Publisher Tsutaya. Kiwame censor seal. Format oban tate-e: 34.3 x 22.5 cm Fine proof. Margins cut. Bibliography: E. F. Strange p.151-152, 10. - Hiroshige Ando (1797-1858) Yokkaichi Noko no Ura Mie Gawa Yokkaichi, Nako Bay, Mie River he Gojusan Tsugi Meisho Zue series, The Fifty-Three Tokaido Stations. This is th ,1855

    oban
    34.3 x 22.5 cm
    Estimate:
    Result:
    - Hiroshige Ando (1797-1858) Nihonbashi Shinonome no Kei/ Dawn on Nihon Bridge Early in the morning, the port is bustling with activity. Fishermen unload their wares and fish merchants prepare their stalls. Print with mokumezuri effect, using the veins of the stained wood as a motif. he series Gojusan Tsugi Meisho Zue, The Fifty-Three Famous Views of Tokaido. This is the 1st station. Date: July (7th moon) 1855, Year of the Hare. Signed Hiroshige hitsu. Aratame censor seal. Publisher Tsutaya Kich by Utagawa Hiroshige, 1855

    - Hiroshige Ando (1797-1858) Nihonbashi Shinonome no Kei/ Dawn on Nihon Bridge Early in the morning, the port is bustling with activity. Fishermen unload their wares and fish merchants prepare their stalls. Print with mokumezuri effect, using the veins of the stained wood as a motif. he series Gojusan Tsugi Meisho Zue, The Fifty-Three Famous Views of Tokaido. This is the 1st station. Date: July (7th moon) 1855, Year of the Hare. Signed Hiroshige hitsu. Aratame censor seal. Publisher Tsutaya Kich ,1855

    oban
    34.1 x 22.4 cm
    Estimate:
    Result:
    - Hiroshige Ando (1797-1858) Sakanoshita Gankutsu No Kannon/ Cave of the Kannon Goddesses Print with mokumezuri effect, using the veins of the stained wood as a motif. he Gojusan Tsugi Meisho Zue series, The Fifty-Three Famous Views of Tokaido. This is the 49th view. Date: July (7th moon) 1855, year of the hare. Signed Hiroshige hitsu. Aratame censor seal. Publisher Tsutaya Kichizo (Koeido). Format oban tate-e: 37.1 x 25.2 cm Fine print. Colors slightly faded. Margins soiled. Hole in upper margi by Utagawa Hiroshige, 1855

    - Hiroshige Ando (1797-1858) Sakanoshita Gankutsu No Kannon/ Cave of the Kannon Goddesses Print with mokumezuri effect, using the veins of the stained wood as a motif. he Gojusan Tsugi Meisho Zue series, The Fifty-Three Famous Views of Tokaido. This is the 49th view. Date: July (7th moon) 1855, year of the hare. Signed Hiroshige hitsu. Aratame censor seal. Publisher Tsutaya Kichizo (Koeido). Format oban tate-e: 37.1 x 25.2 cm Fine print. Colors slightly faded. Margins soiled. Hole in upper margi ,1855

    oban
    37.1 x 25.2 cm
    Estimate:
    Result:
    Ryogoku senchu Asakusa enkei (Distant View of Asakusa from a Boat in Ryogoku), 1857 by Utagawa Hiroshige, 1857

    Ryogoku senchu Asakusa enkei (Distant View of Asakusa from a Boat in Ryogoku), 1857 ,1857

    oban
    13.8 x 9.3 in 鈥� 35 x 23.5 cm
    Estimate:
    Result:
    Five oban tate prints from the series One Hundred Famous Views of Edo by Utagawa Hiroshige, 1856 and 1858

    Five oban tate prints from the series One Hundred Famous Views of Edo ,1856 and 1858

    oban
    Size: 33.5 x 22 cm.
    Estimate:
    Result:
    Oban tate-e by Utagawa Hiroshige, 1858

    Oban tate-e ,1858

    Oban
    34 x 22,5 cm
    Estimate:
    Result:
    Two Works: Hashiba ferry and tile kilns, Sumida River, and Minowa, Kanasugi and Mikawashima by Utagawa Hiroshige, 1857

    Two Works: Hashiba ferry and tile kilns, Sumida River, and Minowa, Kanasugi and Mikawashima ,1857

    prints
    14 3/8 x 9 陆 in. 36.5 x 24.2 cm.
    Estimate:
    Result:
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    More Lots by Utagawa Hiroshige in This Sale

    Hiroshige Ando (1797-1858) Onagigawa Gohonmatsu/ Five pine trees, Onagi Canal he Meisho Edo Hyakkei series, One Hundred Famous Views of Edo pl. 97, Autumn. Date: Dragon 7 (1856). Signed Hiroshige ga. Publisher Uoei. Format oban tate-e: 35.1 x 24.4 cm Bibliography: Ukiyo-e Taikei XVII, pl. 97 repr.coul.,p.113 - -Strange p.182, 67 (97) - George Braziller, Brooklyn Museum, One Hundred Views of Edo, pl. 97 - Lane, p.252, pl. 97 - Suzuki, pl. 562.

    Hiroshige Ando (1797-1858) Onagigawa Gohonmatsu/ Five pine trees, Onagi Canal he Meisho Edo Hyakkei series, One Hundred Famous Views of Edo pl. 97, Autumn. Date: Dragon 7 (1856). Signed Hiroshige ga. Publisher Uoei. Format oban tate-e: 35.1 x 24.4 cm Bibliography: Ukiyo-e Taikei XVII, pl. 97 repr.coul.,p.113 - -Strange p.182, 67 (97) - George Braziller, Brooklyn Museum, One Hundred Views of Edo, pl. 97 - Lane, p.252, pl. 97 - Suzuki, pl. 562.

    Hiroshige Ando (1797-1858) Asakusa Kinryuzan toshinoichi The end-of-year market at the Kinryuzan temple in Asakusa. From the series Toto Meisho, Famous Views of the Eastern Capital. Date: 1843-1844 (Series produced until 1859). Signed Hiroshige ga. Publisher Sanoki (red seal in the right margin). Censor seal kiwame (red seal in right margin). Format oban yoko-e: 24.3 x 36.7 cm First edition. Slightly worn. Soiled. Some foxing. Bibliography: Tamba, pl. 227 - Suzuki p.135 - Strange, p.174.

    Hiroshige Ando (1797-1858) Asakusa Kinryuzan toshinoichi The end-of-year market at the Kinryuzan temple in Asakusa. From the series Toto Meisho, Famous Views of the Eastern Capital. Date: 1843-1844 (Series produced until 1859). Signed Hiroshige ga. Publisher Sanoki (red seal in the right margin). Censor seal kiwame (red seal in right margin). Format oban yoko-e: 24.3 x 36.7 cm First edition. Slightly worn. Soiled. Some foxing. Bibliography: Tamba, pl. 227 - Suzuki p.135 - Strange, p.174.

    - Hiroshige Ando (1797-1858) Teppô zu, Tsukuda jima, Oshiage Hagidera, Ôji gongen gosairei he Edo Meisho harimaze zue, Harimaze series of famous Edo views. Series of 10 pl. Date: year of the snake 1857. Signed Hiroshige ga. Seal of the artist Hiro. Format oban tate-e: 36.8 x 23.7 cm Publisher's seal Yamadaya Shôjiro. Aratame censor seal. Red Baidô seal at top right, probably a collector's seal. Beautiful proof with slightly faded colors. Cut on the left. Binding holes on the right. Bibliography:

    - Hiroshige Ando (1797-1858) Tepp么 zu, Tsukuda jima, Oshiage Hagidera, 脭ji gongen gosairei he Edo Meisho harimaze zue, Harimaze series of famous Edo views. Series of 10 pl. Date: year of the snake 1857. Signed Hiroshige ga. Seal of the artist Hiro. Format oban tate-e: 36.8 x 23.7 cm Publisher's seal Yamadaya Sh么jiro. Aratame censor seal. Red Baid么 seal at top right, probably a collector's seal. Beautiful proof with slightly faded colors. Cut on the left. Binding holes on the right. Bibliography:

    Hiroshige Ando (1797-1858) Kawaguchi no Watashi Zenkoji The Kawaguchi ferry and Zenkoji temple Opposite Zenkoji temple, long rafts ply the river, carrying visitors from one bank to the other. The water is an intense blue in the middle of the river and along its banks. he Meisho Edo Hyakkei series, One Hundred Famous Views of Edo, pl. 20, spring. Date: Serpent 2 (1857). Signed Hiroshige ga. Publisher Uoya Eikichi. Format oban tate-e: 36 x 25 cm Full margins. Framed under glass. Bibliography: L. B

    Hiroshige Ando (1797-1858) Kawaguchi no Watashi Zenkoji The Kawaguchi ferry and Zenkoji temple Opposite Zenkoji temple, long rafts ply the river, carrying visitors from one bank to the other. The water is an intense blue in the middle of the river and along its banks. he Meisho Edo Hyakkei series, One Hundred Famous Views of Edo, pl. 20, spring. Date: Serpent 2 (1857). Signed Hiroshige ga. Publisher Uoya Eikichi. Format oban tate-e: 36 x 25 cm Full margins. Framed under glass. Bibliography: L. B

    Hiroshige Ando (1797-1858) Seven chuban yoko-e: - Seta (no) sekisho, Sunset at Seta - Yabase kihan, The return of the boats to Yabase - Awazu seiran, The sky clearing in Awazu - Mii banshô, Evening bell at Miidera temple - Ishiyama shûgetsu, Autumn moon in Ishiyama - Karasaki yau, Rainy evening in Karasaki - Hira bosetsu, Twilight snow on Mount Hira From the series Omi hakkei, Eight views of Omi. Date: circa 1840. Signed Hiroshige ga. Publisher Arisei (Aritaya Seiemon). Format chûban : 17.2 x 22

    Hiroshige Ando (1797-1858) Seven chuban yoko-e: - Seta (no) sekisho, Sunset at Seta - Yabase kihan, The return of the boats to Yabase - Awazu seiran, The sky clearing in Awazu - Mii bansh么, Evening bell at Miidera temple - Ishiyama sh没getsu, Autumn moon in Ishiyama - Karasaki yau, Rainy evening in Karasaki - Hira bosetsu, Twilight snow on Mount Hira From the series Omi hakkei, Eight views of Omi. Date: circa 1840. Signed Hiroshige ga. Publisher Arisei (Aritaya Seiemon). Format ch没ban : 17.2 x 22

    Hiroshige Ando (1797-1858) Fujikawa Yamanaka no Sato Betsumei Miyajiyama Fujikawa, Yamanaka village and Miyaji mountain he Gojusan Tsugi Meisho Zue series, The Fifty-Three Famous Views of Tokaido. This is the 38th view. Signed Hiroshige hitsu. Aratame censor seal. Publisher Tsutaya Kichizo (Koeido). Format oban tate-e: 37.3 x 25.6 cm Bibliography: Strange, The color prints of Hiroshige 1925, p.154 , 38 - T. N. M. vol. 3, 3313 repr. - Ukiyo-e jiten 1971, Tokyo, vol. 3, p.173 repr. - Van Gogh Muse

    Hiroshige Ando (1797-1858) Fujikawa Yamanaka no Sato Betsumei Miyajiyama Fujikawa, Yamanaka village and Miyaji mountain he Gojusan Tsugi Meisho Zue series, The Fifty-Three Famous Views of Tokaido. This is the 38th view. Signed Hiroshige hitsu. Aratame censor seal. Publisher Tsutaya Kichizo (Koeido). Format oban tate-e: 37.3 x 25.6 cm Bibliography: Strange, The color prints of Hiroshige 1925, p.154 , 38 - T. N. M. vol. 3, 3313 repr. - Ukiyo-e jiten 1971, Tokyo, vol. 3, p.173 repr. - Van Gogh Muse

    Hiroshige Andô (1797-1858) Kazusa Kurodo no ura/Kurodo Bay, Kazusa Three junks are anchored near the pine-lined shore. In the background, white sailing ships. On the horizon, behind a mountain range, rises Mount Fuji. he Fuji Sanjurokkei series, The Thirty-Six Views of Mount Fuji. Here, the 34th view. Date: Year of the Horse (1858). Signed Hiroshige ga. Publisher Tsutaya. Format oban tate-e: 37 x 23.7 cm Bibliography: B.M. no. 544.

    Hiroshige And么 (1797-1858) Kazusa Kurodo no ura/Kurodo Bay, Kazusa Three junks are anchored near the pine-lined shore. In the background, white sailing ships. On the horizon, behind a mountain range, rises Mount Fuji. he Fuji Sanjurokkei series, The Thirty-Six Views of Mount Fuji. Here, the 34th view. Date: Year of the Horse (1858). Signed Hiroshige ga. Publisher Tsutaya. Format oban tate-e: 37 x 23.7 cm Bibliography: B.M. no. 544.

    - Hiroshige Ando (1797-1858) Kakegawa, Akibayama, Embo Kakegawa/ Distant view of Mount Akiba he Tokaido Gojusan Tsugi no uchi series, The Fifty-Three Stations of the Tokaido. 27th station. Signed Hiroshige ga. Publisher Hoeido. Format oban yoko-e: 24.7 x 35.9 cm From the Winiwarter collection. Beautiful proof with fresh colors. Traces of wear, central fold, margins slightly trimmed on three sides. Soiling in upper margin. Bibliography: Strange, p.139, 27 - TNM, vol. 3, 3231 - Le Tokaido de Hiros

    - Hiroshige Ando (1797-1858) Kakegawa, Akibayama, Embo Kakegawa/ Distant view of Mount Akiba he Tokaido Gojusan Tsugi no uchi series, The Fifty-Three Stations of the Tokaido. 27th station. Signed Hiroshige ga. Publisher Hoeido. Format oban yoko-e: 24.7 x 35.9 cm From the Winiwarter collection. Beautiful proof with fresh colors. Traces of wear, central fold, margins slightly trimmed on three sides. Soiling in upper margin. Bibliography: Strange, p.139, 27 - TNM, vol. 3, 3231 - Le Tokaido de Hiros

    Hiroshige Ando (1797-1858) Teppôzu Tsukiji Monseki Monseki temple in Tsukiji, seen from Teppôzu. Oban tate-e from the Edo Meisho Hyakkei series, One Hundred Famous Views of Edo pl. 78, Autumn. Date: Year of the Horse 7 (1858). Signed Hiroshige ga. Publisher Uoei. Format: 36.1 x 24.9 cm Freshly colored proof. Trace of mica on the roof of the temple. Binding holes in left margin, stains in upper margin. Right margin partly lined. Traces of wear towards bottom. Bibliography: Suzuki, p.183 n° 119 -

    Hiroshige Ando (1797-1858) Tepp么zu Tsukiji Monseki Monseki temple in Tsukiji, seen from Tepp么zu. Oban tate-e from the Edo Meisho Hyakkei series, One Hundred Famous Views of Edo pl. 78, Autumn. Date: Year of the Horse 7 (1858). Signed Hiroshige ga. Publisher Uoei. Format: 36.1 x 24.9 cm Freshly colored proof. Trace of mica on the roof of the temple. Binding holes in left margin, stains in upper margin. Right margin partly lined. Traces of wear towards bottom. Bibliography: Suzuki, p.183 n掳 119 -

    Attributed to Hiroshige Ando (1797-1858) Sketch sheet with figures and fish. Several drawings of female figures seen from behind or in profile are represented on this sheet. There are also two fish. India ink enhanced with color. Format: 24 x 37.5 cm Traces of wear, stains, oxidation.

    Attributed to Hiroshige Ando (1797-1858) Sketch sheet with figures and fish. Several drawings of female figures seen from behind or in profile are represented on this sheet. There are also two fish. India ink enhanced with color. Format: 24 x 37.5 cm Traces of wear, stains, oxidation.

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