Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork
THE PROPERTY OF A EUROPEAN LADY UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19 TH CENTURY TWO PRINTS FROM THE SERIES ONE HUNDRED FAMOUS VIEWS OF EDO ( MEISHO EDO HYAKKEI ) woodblock prints: ink and colour on paper, from the series One Hundred Famous Views of Edo ( Meisho Edo hyakkei ), all signed Hiroshige ga , published by Uoya Eikichi, 1857 The first, Dyers' Quarter, Kanda ( Kanda Kon'ya-chô ); the second, Nihonbashi Bridge and Edobashi Bridge ( Nihonbashi Edobashi ) All vertical ôb
THE PROPERTY OF A GENTLEMAN UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19 TH CENTURY A COMPLETE SET OF THIRTY-SIX VIEWS OF MT. FUJI (FUJI SANJÛ-ROKKEI) woodblock prints: ink and colour on paper, signed Hiroshige ga , published by Tsutaya Kichizô (Kôeidô), censor's seal Horse 4 , 1858 All vertical ôban : (37) each approx. 35.5 x 23.8 cm., 14 x 9⅜ in.
THE PROPERTY OF A EUROPEAN LADY UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19 TH CENTURY FOUR PRINTS FROM THE SERIES ONE HUNDRED FAMOUS VIEWS OF EDO (MEISHO EDO HYAKKEI) woodblock prints: ink and colour on paper, from the series One Hundred Famous Views of Edo ( Meisho Edo hyakkei ), all signed Hiroshige ga , published by Uoya Eikichi, 1857 The first, Night View of Saruwaka-machi ( Saruwaka-machi yoru no kei ); the second, Ushimachi in Takanawa ( Takanawa ushimachi ); the third, Moon