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3 Artworks
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    Two prints signed Hiroshige hitsu by Utagawa Hiroshige, 1853

    Two prints signed Hiroshige hitsu ,1853

    prints
    34 x 22 cm.
    Estimate:
    Result:
    Tôto meisho by Utagawa Hiroshige, circa 1847-1852

    T么to meisho ,circa 1847-1852

    print
    33.8 cm x 22.1 cm
    Estimate:
    Result:
    My Collection
    A complete set of the fifty-five prints from the series Gojusan tsugi meisho zue (Famous Places at the Fifty-three Stations) by Utagawa Hiroshige, 1855

    A complete set of the fifty-five prints from the series Gojusan tsugi meisho zue (Famous Places at the Fifty-three Stations) ,1855

    prints
    Each approximately 36.4cm x 24.1cm
    Estimate:
    Result:
    The Complete Set of Tokaido Gojusantsugi Zue [Pictures for the Fifty-Three Stations of the Tokaido Road] by Utagawa Hiroshige, 1856

    The Complete Set of Tokaido Gojusantsugi Zue [Pictures for the Fifty-Three Stations of the Tokaido Road] ,1856

    Prints
    Each: 36.6 x 25.2 cm.
    Estimate:
    Result:
    Two Works: Hashiba ferry and tile kilns, Sumida River, and Minowa, Kanasugi and Mikawashima by Utagawa Hiroshige, 1857

    Two Works: Hashiba ferry and tile kilns, Sumida River, and Minowa, Kanasugi and Mikawashima ,1857

    prints
    14 3/8 x 9 陆 in. 36.5 x 24.2 cm.
    Estimate:
    Result:
    Miya, Atsuta no eki Shichiri no watashiguchi by Utagawa Hiroshige, 1855

    Miya, Atsuta no eki Shichiri no watashiguchi ,1855

    prints
    14 3/4 x 10 1/8in
    Estimate:
    Result:
    Two woodblock prints Edo period (1615-1868), 1857 by Utagawa Hiroshige, 1857

    Two woodblock prints Edo period (1615-1868), 1857 ,1857

    prints
    14 x 10in 37.4 x 25.4cm
    Estimate:
    Result:
    5th station: Hodogaya, tea house above rice fields by Utagawa Hiroshige, produced circa 1855

    5th station: Hodogaya, tea house above rice fields ,produced circa 1855

    prints
    Size: 34 x 22.5 cm.
    Estimate:
    Result:
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    More Lots by Utagawa Hiroshige in This Sale

    Yoshiwara Nakanocho, yozakura (Cherry Blossoms at Yoshiwara at Night) from the series Toto meisho (Famous Places in the Eastern Capital); an aiban yoko-e of Goyu from the Gyosho Tokaido series; an oban tate-e of Uguisuzuka (The Grave of Uguisu) from the series Chuko adauchi zue (Illustrations of Loyalty and Vengeance); an oban tate-e of Sojo Henjo from the series Ogura nazorae Hyakunin Isshu...

    Yoshiwara Nakanocho, yozakura (Cherry Blossoms at Yoshiwara at Night) from the series Toto meisho (Famous Places in the Eastern Capital); an aiban yoko-e of Goyu from the Gyosho Tokaido series; an oban tate-e of Uguisuzuka (The Grave of Uguisu) from the series Chuko adauchi zue (Illustrations of Loyalty and Vengeance); an oban tate-e of Sojo Henjo from the series Ogura nazorae Hyakunin Isshu...

    Five from the series Meisho Edo hyakkei (100 Famous Views of Edo), comprising: Oji Fudo no taki (Fudo Falls, Oji), Yoroi no watashi, Komai cho (Yoroi Ferry, Komai cho), Shichu hanei Tanabata matsuri (The City Flourishing Tanabata Festival), Ukeji Akiba no keidai (Inside Akiba Shrine, Ukeji), and Ryogoku Ekoin Moto-Yanagibashi (Ryogoku Ekoin and Moto-Yanagibashi Bridge)

    Five from the series Meisho Edo hyakkei (100 Famous Views of Edo), comprising: Oji Fudo no taki (Fudo Falls, Oji), Yoroi no watashi, Komai cho (Yoroi Ferry, Komai cho), Shichu hanei Tanabata matsuri (The City Flourishing Tanabata Festival), Ukeji Akiba no keidai (Inside Akiba Shrine, Ukeji), and Ryogoku Ekoin Moto-Yanagibashi (Ryogoku Ekoin and Moto-Yanagibashi Bridge)

    Four oban prints: the first a tate-e by Hiroshige of Ejiri from the series Gojusantsugi meisho zue (Famous Places of the 53 Stations); the second and third, two prints by Kuniyoshi, one tate-e sheet from a warrior triptych depicting five late Heian-period warriors; the other a yoko-e yakusha-e from the play Date kurabe Okuni kabuki; the fourth a tate-e by Yoshitoshi of Yabuhara Kenko from the...

    Four oban prints: the first a tate-e by Hiroshige of Ejiri from the series Gojusantsugi meisho zue (Famous Places of the 53 Stations); the second and third, two prints by Kuniyoshi, one tate-e sheet from a warrior triptych depicting five late Heian-period warriors; the other a yoko-e yakusha-e from the play Date kurabe Okuni kabuki; the fourth a tate-e by Yoshitoshi of Yabuhara Kenko from the...

    a yoko-e of Kameido Tenmangu keidai no yuki (Tenmangu Shrine at Kameido in Snow) from the series Toto Meisho (Famous Views of the Eastern Capital), the second, a yoko-e of Soshu Enoshima iwaya no zu (View of the Grotto at Enoshima in Sagami Province) from the series Honcho meisho (Famous Views of Japan), the third, a tate-e of Kameyama from the series Gojusantsugi meisho zue (53 Famous Places on the Tokaido), the fourth to sixth, three triptychs of Susaki Benzaiten keidai zenzu, do kaikin shioi

    a yoko-e of Kameido Tenmangu keidai no yuki (Tenmangu Shrine at Kameido in Snow) from the series Toto Meisho (Famous Views of the Eastern Capital), the second, a yoko-e of Soshu Enoshima iwaya no zu (View of the Grotto at Enoshima in Sagami Province) from the series Honcho meisho (Famous Views of Japan), the third, a tate-e of Kameyama from the series Gojusantsugi meisho zue (53 Famous Places on the Tokaido), the fourth to sixth, three triptychs of Susaki Benzaiten keidai zenzu, do kaikin shioi

    Two prints of various formats: the first a chuban yoko-e of Karasaki yau (Night Rain at Karasaki) from the series Omi hakkei (Eight Views of Omi), the second a shikishiban by Koson, depicting a monkey crouching on the branch of a willow tree, published by Daikokuya

    Two prints of various formats: the first a chuban yoko-e of Karasaki yau (Night Rain at Karasaki) from the series Omi hakkei (Eight Views of Omi), the second a shikishiban by Koson, depicting a monkey crouching on the branch of a willow tree, published by Daikokuya

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