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Utagawa Hiroshige (1797-1858) Oban tate-e from the series Meisho Edo hyakkei, One Hundred Famous Views of Edo, plate Komagata-dô Azuma-bashi, Komagata Pavilion and Azuma Bridge. Signed Hiroshige ga, publisher Uoya Eikichi, censor's stamp aratame. (Binding holes, margin slightly damaged). 37.2 x 25.2 cm by Utagawa Hiroshige

Utagawa Hiroshige (1797-1858) Oban tate-e from the series Meisho Edo hyakkei, One Hundred Famous Views of Edo, plate Komagata-d么 Azuma-bashi, Komagata Pavilion and Azuma Bridge. Signed Hiroshige ga, publisher Uoya Eikichi, censor's stamp aratame. (Binding holes, margin slightly damaged). 37.2 x 25.2 cm

Oban
37.2 x 25.2 cm
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Result:
Utagawa Hiroshige (1797-1858) Oban tate-e from the series Edo meisho hyakkei, The Hundred Famous Views of Edo, plate Meguro Taikobashi Yûhinooka, The Drum Bridge and Sunset Hill in Meguro. Signed Hiroshige ga, publisher Uoya Eikichi. (Lined, middle fold). 35.7 x 24.2 cm by Utagawa Hiroshige

Utagawa Hiroshige (1797-1858) Oban tate-e from the series Edo meisho hyakkei, The Hundred Famous Views of Edo, plate Meguro Taikobashi Y没hinooka, The Drum Bridge and Sunset Hill in Meguro. Signed Hiroshige ga, publisher Uoya Eikichi. (Lined, middle fold). 35.7 x 24.2 cm

Oban
35.7 x 24.2 cm
Estimate:
Result:
Utagawa Hiroshige (1797-1858)Four oban tate-e from the Harimaze Edo meisho series, Cut-out pictures of famous Edo views.Two signed Ryusai and stamped Hiroshige, one signed Hiroshige and stamped Ichiryusai and one signed Hiroshige hitsu and stamped Ichiryusai, publisher Izuichi.(Slight stains).37.5 x 26.2 cmProvenance: Galerie Léopold, Brussels, November 20, 1948. by Utagawa Hiroshige

Utagawa Hiroshige (1797-1858)Four oban tate-e from the Harimaze Edo meisho series, Cut-out pictures of famous Edo views.Two signed Ryusai and stamped Hiroshige, one signed Hiroshige and stamped Ichiryusai and one signed Hiroshige hitsu and stamped Ichiryusai, publisher Izuichi.(Slight stains).37.5 x 26.2 cmProvenance: Galerie L茅opold, Brussels, November 20, 1948.

oban
37.5 x 26.2 cm
Estimate:
Result:
Utagawa Hiroshige (1797-1858)Three oban yoko-e from the Shinsen Edo meisho series, New selection of Edo views, plates:- Shiba Z艒j艒-ji no zu, Zojo temple in Shiba- Shin Yoshiwara Naka-no-ch艒 haru no kei, Spring scene at Naka-no-ch艒 in the Yoshiwara district- Asakusa Kinry奴zan Kannon no zu, The Kinry奴zan Kannon temple in AsakusaSigned Hiroshige ga, publisher Kinshindô. (Stains, lining, wormholes).37.1 x 25.4 cmSix oban yoko-e from various series:- Koto Meisho series, Famous views of the ca by Utagawa Hiroshige

Utagawa Hiroshige (1797-1858)Three oban yoko-e from the Shinsen Edo meisho series, New selection of Edo views, plates:- Shiba Z艒j艒-ji no zu, Zojo temple in Shiba- Shin Yoshiwara Naka-no-ch艒 haru no kei, Spring scene at Naka-no-ch艒 in the Yoshiwara district- Asakusa Kinry奴zan Kannon no zu, The Kinry奴zan Kannon temple in AsakusaSigned Hiroshige ga, publisher Kinshind么. (Stains, lining, wormholes).37.1 x 25.4 cmSix oban yoko-e from various series:- Koto Meisho series, Famous views of the ca

oban
37.1 x 25.4 cm35.4 x 25.1 cm
Estimate:
Result:
Utagawa Hiroshige (1797-1858) Oban tate-e, part of triptych, Asakusa okuyama kai saiku, Shell objects presented at Asakusa temple, the immortal Gama sennin holding his toad and surrounded by an eagle and a snake. Signed Hiroshige sha, publisher Yama-ka. (Folds). 38.3 x 25.5 cm Provenance: Galerie Van Stockum, The Hague, November 26, 1952. by Utagawa Hiroshige

Utagawa Hiroshige (1797-1858) Oban tate-e, part of triptych, Asakusa okuyama kai saiku, Shell objects presented at Asakusa temple, the immortal Gama sennin holding his toad and surrounded by an eagle and a snake. Signed Hiroshige sha, publisher Yama-ka. (Folds). 38.3 x 25.5 cm Provenance: Galerie Van Stockum, The Hague, November 26, 1952.

Oban
38.3 x 25.5 cm
Estimate:
Result:
Utagawa Hiroshige (1797-1858) Oban tate-e from the Imayo koadara asobi series, Modern Children's Games, mother with boy and drum. Signed Hiroshige ga, aratame censor stamp, publisher Iwatoya Kisaburo, Eirindo. (Stains, minor restorations, missing parts). 38 x 26 cm Provenance: former C. Schraubstadter (NY), Galerie Van Stockum, The Hague, November 26, 1952. by Utagawa Hiroshige

Utagawa Hiroshige (1797-1858) Oban tate-e from the Imayo koadara asobi series, Modern Children's Games, mother with boy and drum. Signed Hiroshige ga, aratame censor stamp, publisher Iwatoya Kisaburo, Eirindo. (Stains, minor restorations, missing parts). 38 x 26 cm Provenance: former C. Schraubstadter (NY), Galerie Van Stockum, The Hague, November 26, 1952.

Oban
38 x 26 cm
Estimate:
Result:
Utagawa Hiroshige (1797-1858)Five oban tate-e from the series Gojusan tsugi meisho zue, The Fifty-Three Stations of the Tokaido:- Station 31: Maisaka, Imagiri kaij艒 funewatash, sea ferries to Imagiri- Station 46: Sh艒no, Shiratorizuka koseki, ruins at Mount Shiratori, Shono- Station 48: Seki, Sang奴d艒 oiwake, road junction at the shrine in Seki- Station 49: Sakanoshita, Gankutsu no Kannon, Kannon cave at Sakanoshita- Station 52: Ishibe, ryosha tomarikyaku, guests at Ishibe innSigned Hiroshi by Utagawa Hiroshige

Utagawa Hiroshige (1797-1858)Five oban tate-e from the series Gojusan tsugi meisho zue, The Fifty-Three Stations of the Tokaido:- Station 31: Maisaka, Imagiri kaij艒 funewatash, sea ferries to Imagiri- Station 46: Sh艒no, Shiratorizuka koseki, ruins at Mount Shiratori, Shono- Station 48: Seki, Sang奴d艒 oiwake, road junction at the shrine in Seki- Station 49: Sakanoshita, Gankutsu no Kannon, Kannon cave at Sakanoshita- Station 52: Ishibe, ryosha tomarikyaku, guests at Ishibe innSigned Hiroshi

oban
36.5 x 24.8 cm
Estimate:
Result:
Utagawa Hiroshige (1797-1858) - Two oban tate-e from the series Jôruri-machi hanka no zu, Prosperous Vendors of the Ballad City, Street Merchants. Signed Hiroshige Gihitsu, publisher Ibaya Senzaburô. 35.7 x 23.8 cm- Two oban tate-e illustrating silk manufacturing. Signed Hiroshige ga. (One insolate). 37.3 x 25.5 cm- Oban tate-e, illustrating grimaces and games. Signed Hiroshige Gihitsu. (Bending, rubbed, stains). 37.2 x 25.3 cm- Three oban tate-e from the Meisho Edo hyakkei series, One Hundre by Utagawa Hiroshige

Utagawa Hiroshige (1797-1858) - Two oban tate-e from the series J么ruri-machi hanka no zu, Prosperous Vendors of the Ballad City, Street Merchants. Signed Hiroshige Gihitsu, publisher Ibaya Senzabur么. 35.7 x 23.8 cm- Two oban tate-e illustrating silk manufacturing. Signed Hiroshige ga. (One insolate). 37.3 x 25.5 cm- Oban tate-e, illustrating grimaces and games. Signed Hiroshige Gihitsu. (Bending, rubbed, stains). 37.2 x 25.3 cm- Three oban tate-e from the Meisho Edo hyakkei series, One Hundre

oban
35.7 x 23.8 cm37.3 x 25.5 cm37.2 x 25.3 cm34.2 x 23.5 cm24 x 36 cm
Estimate:
Result:
Utagawa Hiroshige (1797-1858)Four oban tate-e from the Goj奴san-tsugi Harimaze series, Harimaze of the fifty-three stations, plates:- Numazu, Odawara, Hakone, Mishima- Shimada, Fujieda, Okabe, Mariko- Fukuroi, Nissaka, Kakegawa, Kanaya- Miya, Yokkaichi, KuwanaSigned Hiroshige and stamped Hiro and Ichiryusai, publisher Senichi. (Lined).35.8 x 24.2 cmEnclosed are four harimaze parts from the Omi hakkei series, the eight views of Omi, signed Hiroshige; an oban tate-e from the T艒to meisho ser by Utagawa Hiroshige

Utagawa Hiroshige (1797-1858)Four oban tate-e from the Goj奴san-tsugi Harimaze series, Harimaze of the fifty-three stations, plates:- Numazu, Odawara, Hakone, Mishima- Shimada, Fujieda, Okabe, Mariko- Fukuroi, Nissaka, Kakegawa, Kanaya- Miya, Yokkaichi, KuwanaSigned Hiroshige and stamped Hiro and Ichiryusai, publisher Senichi. (Lined).35.8 x 24.2 cmEnclosed are four harimaze parts from the Omi hakkei series, the eight views of Omi, signed Hiroshige; an oban tate-e from the T艒to meisho ser

oban
35.8 x 24.2 cm
Estimate:
Result:
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More Lots by Utagawa Hiroshige in This Sale

Utagawa Hiroshige (1797-1858)Fourteen koban yoko-e (harimaze), Famous landscapes and views and one chuban yoko-e (harimaze), View of Otsu. (Stains).19.5 x 11.5 and 4.5 x 24 cmProvenance: Massart sale (former Meaux collection, Paris), Galerie Moderne, Brussels, March 1, 1962.

Utagawa Hiroshige (1797-1858)Fourteen koban yoko-e (harimaze), Famous landscapes and views and one chuban yoko-e (harimaze), View of Otsu. (Stains).19.5 x 11.5 and 4.5 x 24 cmProvenance: Massart sale (former Meaux collection, Paris), Galerie Moderne, Brussels, March 1, 1962.

Utagawa Hiroshige (1797-1858) Double oban tate-e, Tenmangu go Shinpitsu, Sugawara Michizane seated on a buffalo in front of a plum blossom and his most famous poem. Signed Hiroshige hitsu. (Wormholes, foxing). 71.8 x 23.8 cm Sugawara Michizane (also known as Tenman-gu) was a scholar and political figure of the Heian period. He was forced into exile in Kyushu, where he died, but his name was later rehabilitated, and a temple, the Dazaifu Tenman-gu, was built over his grave. Sugawara Michizane was

Utagawa Hiroshige (1797-1858) Double oban tate-e, Tenmangu go Shinpitsu, Sugawara Michizane seated on a buffalo in front of a plum blossom and his most famous poem. Signed Hiroshige hitsu. (Wormholes, foxing). 71.8 x 23.8 cm Sugawara Michizane (also known as Tenman-gu) was a scholar and political figure of the Heian period. He was forced into exile in Kyushu, where he died, but his name was later rehabilitated, and a temple, the Dazaifu Tenman-gu, was built over his grave. Sugawara Michizane was

Utagawa Hiroshige (1797-1858) Oban tate-e, part of triptych, Asakusa okuyama kai saiku, Shell objects presented at Asakusa temple, the immortal Gama sennin holding his toad and surrounded by an eagle and a snake. Signed Hiroshige sha, publisher Yama-ka. (Folds). 38.3 x 25.5 cm Provenance: Galerie Van Stockum, The Hague, November 26, 1952.

Utagawa Hiroshige (1797-1858) Oban tate-e, part of triptych, Asakusa okuyama kai saiku, Shell objects presented at Asakusa temple, the immortal Gama sennin holding his toad and surrounded by an eagle and a snake. Signed Hiroshige sha, publisher Yama-ka. (Folds). 38.3 x 25.5 cm Provenance: Galerie Van Stockum, The Hague, November 26, 1952.

Utagawa Hiroshige (1797-1858) Oban yoko-e from the Tokaido gojusan tsugi no uchi series, The Fifty-Three Stations of the Tokaido: Station 49: Sakanoshita. Signed Hiroshige ga, publisher Hoeido. 26 x 38 cm Provenance: Galerie Wansart, Brussels, February 15, 1949.

Utagawa Hiroshige (1797-1858) Oban yoko-e from the Tokaido gojusan tsugi no uchi series, The Fifty-Three Stations of the Tokaido: Station 49: Sakanoshita. Signed Hiroshige ga, publisher Hoeido. 26 x 38 cm Provenance: Galerie Wansart, Brussels, February 15, 1949.

Utagawa Hiroshige (1797-1858) Uchiwa-e, Chushingura hakkei, Eight Views of the Loyal Servants Toritsugi no bansho, Message Reception and Evening Bell. Signed Hiroshige ga, publisher Ibaya Sensaburo, kiwame censor stamp. (Restored holes). 23.1 x 29.5 cm Reference: similar print in the Victoria and Albert Museum, London, accession no. E.2913-1913. Provenance: former C. Schraubstadter (NY), Galerie Van Stockum, The Hague, March 22, 1952.

Utagawa Hiroshige (1797-1858) Uchiwa-e, Chushingura hakkei, Eight Views of the Loyal Servants Toritsugi no bansho, Message Reception and Evening Bell. Signed Hiroshige ga, publisher Ibaya Sensaburo, kiwame censor stamp. (Restored holes). 23.1 x 29.5 cm Reference: similar print in the Victoria and Albert Museum, London, accession no. E.2913-1913. Provenance: former C. Schraubstadter (NY), Galerie Van Stockum, The Hague, March 22, 1952.

After Utagawa Hiroshige (1797-1858) Oban yoko-e, aizuri-e, retirage, Three carps. Signed Hiroshige ga and stamped Hoyeido. 25.7 x 36.8 cm

After Utagawa Hiroshige (1797-1858) Oban yoko-e, aizuri-e, retirage, Three carps. Signed Hiroshige ga and stamped Hoyeido. 25.7 x 36.8 cm

Oban yoko-e

Oban yoko-e

Utagawa Hiroshige (1797-1858)Five oban tate-e from the series Gojusan tsugi meisho zue, The Fifty-Three Stations of the Tokaido:- Station 31: Maisaka, Imagiri kaij艒 funewatash, sea ferries to Imagiri- Station 46: Sh艒no, Shiratorizuka koseki, ruins at Mount Shiratori, Shono- Station 48: Seki, Sang奴d艒 oiwake, road junction at the shrine in Seki- Station 49: Sakanoshita, Gankutsu no Kannon, Kannon cave at Sakanoshita- Station 52: Ishibe, ryosha tomarikyaku, guests at Ishibe innSigned Hiroshi

Utagawa Hiroshige (1797-1858)Five oban tate-e from the series Gojusan tsugi meisho zue, The Fifty-Three Stations of the Tokaido:- Station 31: Maisaka, Imagiri kaij艒 funewatash, sea ferries to Imagiri- Station 46: Sh艒no, Shiratorizuka koseki, ruins at Mount Shiratori, Shono- Station 48: Seki, Sang奴d艒 oiwake, road junction at the shrine in Seki- Station 49: Sakanoshita, Gankutsu no Kannon, Kannon cave at Sakanoshita- Station 52: Ishibe, ryosha tomarikyaku, guests at Ishibe innSigned Hiroshi

Utagawa Hiroshige (1797-1858) Oban tate-e from the series Eiy奴 gonin otoko, The Five Heroic Men, plate Yoshioka Genbo. Signed Hiroshige ga, publisher Iseya Ichibei, censor stamps Muramatsu and Yoshimura. (Restoration, margins cut, lined). 25.5 x 37.8 cm Provenance: Galerie Van Stockum, The Hague, November 26, 1951.

Utagawa Hiroshige (1797-1858) Oban tate-e from the series Eiy奴 gonin otoko, The Five Heroic Men, plate Yoshioka Genbo. Signed Hiroshige ga, publisher Iseya Ichibei, censor stamps Muramatsu and Yoshimura. (Restoration, margins cut, lined). 25.5 x 37.8 cm Provenance: Galerie Van Stockum, The Hague, November 26, 1951.

Utagawa Hiroshige (1797-1858)Three oban yoko-e from the series Yoshitsune ichidai zue, The Life of Yoshitsune:- Nikai plate, Kuramayama S艒j艒-ga-tani ni oite Ushiwa-kamaru ijin yori kenp艒 o manabu, in Sojo-ga-tani on Kurama Mountain, Ushiwakamaru learns to handle a weapon from a strange master.- Plank Kand艒 ni omomuku yoshitsune hiyodorigoe no kenshun nansho o yojinoboru, Taking a shortcut, Yoshitsune climbs the dangerous precipice of Hiyodori Pass.- Plate Ise no Sabur艒 ga inka ni yadorite us

Utagawa Hiroshige (1797-1858)Three oban yoko-e from the series Yoshitsune ichidai zue, The Life of Yoshitsune:- Nikai plate, Kuramayama S艒j艒-ga-tani ni oite Ushiwa-kamaru ijin yori kenp艒 o manabu, in Sojo-ga-tani on Kurama Mountain, Ushiwakamaru learns to handle a weapon from a strange master.- Plank Kand艒 ni omomuku yoshitsune hiyodorigoe no kenshun nansho o yojinoboru, Taking a shortcut, Yoshitsune climbs the dangerous precipice of Hiyodori Pass.- Plate Ise no Sabur艒 ga inka ni yadorite us

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