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Yawata: Omi Kotoda, Yawata Saburo from the series Kisokaido rokujukyu tsugi (69 Stations on the Kisokaido Road) by Utagawa Kuniyoshi, dated 1852

Yawata: Omi Kotoda, Yawata Saburo from the series Kisokaido rokujukyu tsugi (69 Stations on the Kisokaido Road) ,dated 1852

oban tate-e print
34.5cm x 24.5cm (13 9/16in x 9 5/8in)
Estimate:
Result:
Edo period (1615-1868), dated 1852 by Utagawa Kuniyoshi, dated 1852

Edo period (1615-1868), dated 1852 ,dated 1852

oban tate-e print
34.5cm x 24.5cm (13 9/16in x 9 5/8in)
Estimate:
Result:
My Collection
Edo period (1615-1868), mid-19th century by Utagawa Kunisada, Utagawa Kuniyoshi, mid-19th century

Edo period (1615-1868), mid-19th century ,mid-19th century

oban tate-e prints
35cm x 24cm (13戮in x 9 7/16in) 35.5cm x 24.3cm (13 15/16in x 9 9/16in) 36.5cm x 25.4cm (14 3/8in x 10in)
Estimate:
Result:
Edo period (1615-1868), early to mid-19th century by Utagawa Kuniyoshi, mid-19th century

Edo period (1615-1868), early to mid-19th century ,mid-19th century

oban tate-e prints
: 35cm x 24cm (13戮in x 9 7/16in) largest: 38.2cm x 25.5cm (15 1/16in x 10in)
Estimate:
Result:
Edo period (1615-1868), early/mid 19th century by Utagawa Kuniyoshi, mid 19th century

Edo period (1615-1868), early/mid 19th century ,mid 19th century

oban tate e print
36cm x 25.2cm 14 1/8in x 9 15/16in
Estimate:
Result:
Edo period (1615-1868), circa 1828-29 by Utagawa Kuniyoshi, circa 1828-1829

Edo period (1615-1868), circa 1828-29 ,circa 1828-1829

oban tate e print
36.5cm x 25cm 14 3/7in x 9 13/16in
Estimate:
Result:
Edo period (1615-1868), circa 1827-1830 by Utagawa Kuniyoshi, circa 1827-1830

Edo period (1615-1868), circa 1827-1830 ,circa 1827-1830

oban tate e print
37.7cm x 26cm (14 7/8in x 10录in)
Estimate:
Result:
Edo period (1615-1868), circa 1827-1830 by Utagawa Kuniyoshi, circa 1827-1830

Edo period (1615-1868), circa 1827-1830 ,circa 1827-1830

oban tate e print
36cm x 25.5cm (14 3/16in x 10in)
Estimate:
Result:
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Four oban prints: the first a tate-e by Hiroshige of Ejiri from the series Gojusantsugi meisho zue (Famous Places of the 53 Stations); the second and third, two prints by Kuniyoshi, one tate-e sheet from a warrior triptych depicting five late Heian-period warriors; the other a yoko-e yakusha-e from the play Date kurabe Okuni kabuki; the fourth a tate-e by Yoshitoshi of Yabuhara Kenko from the...

Four oban prints: the first a tate-e by Hiroshige of Ejiri from the series Gojusantsugi meisho zue (Famous Places of the 53 Stations); the second and third, two prints by Kuniyoshi, one tate-e sheet from a warrior triptych depicting five late Heian-period warriors; the other a yoko-e yakusha-e from the play Date kurabe Okuni kabuki; the fourth a tate-e by Yoshitoshi of Yabuhara Kenko from the...

a yoko-e of Kameido Tenmangu keidai no yuki (Tenmangu Shrine at Kameido in Snow) from the series Toto Meisho (Famous Views of the Eastern Capital), the second, a yoko-e of Soshu Enoshima iwaya no zu (View of the Grotto at Enoshima in Sagami Province) from the series Honcho meisho (Famous Views of Japan), the third, a tate-e of Kameyama from the series Gojusantsugi meisho zue (53 Famous Places on the Tokaido), the fourth to sixth, three triptychs of Susaki Benzaiten keidai zenzu, do kaikin shioi

a yoko-e of Kameido Tenmangu keidai no yuki (Tenmangu Shrine at Kameido in Snow) from the series Toto Meisho (Famous Views of the Eastern Capital), the second, a yoko-e of Soshu Enoshima iwaya no zu (View of the Grotto at Enoshima in Sagami Province) from the series Honcho meisho (Famous Views of Japan), the third, a tate-e of Kameyama from the series Gojusantsugi meisho zue (53 Famous Places on the Tokaido), the fourth to sixth, three triptychs of Susaki Benzaiten keidai zenzu, do kaikin shioi

Three prints: two oban tate-e by Kuniyoshi, the first, Saito Kuranoshin Toshikazu from the series Taiheiki Eiyuden (Heroic Stories of the Taiheiki), published by Yamamotoya Heikichi, two censor's seals Murata and Mera, the second from the series Kenyu fujo kagami (Mirror of Women of Wisdom and Courage), depicting Kaji of Gion holding a fan to her mouth, published by Takahashiya Takakichi,...

Three prints: two oban tate-e by Kuniyoshi, the first, Saito Kuranoshin Toshikazu from the series Taiheiki Eiyuden (Heroic Stories of the Taiheiki), published by Yamamotoya Heikichi, two censor's seals Murata and Mera, the second from the series Kenyu fujo kagami (Mirror of Women of Wisdom and Courage), depicting Kaji of Gion holding a fan to her mouth, published by Takahashiya Takakichi,...

Higono kuni Minamata no kaijo nite Tametomo nanpu ni au (Tametomo Hit by a Storm on the Minamata Sea in Higo Province)

Higono kuni Minamata no kaijo nite Tametomo nanpu ni au (Tametomo Hit by a Storm on the Minamata Sea in Higo Province)

bijinga of O tsumetai (Oh Cool!) from the series Sankai medetai zue (Celebrated Treasures of Mountains and Seas); sketches of four male figures overlapping each other

bijinga of O tsumetai (Oh Cool!) from the series Sankai medetai zue (Celebrated Treasures of Mountains and Seas); sketches of four male figures overlapping each other

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