Artists from Krakow: The Generation 1950鈥1969
The exhibition presents artists connected with Krakow born in the 1950s and 1960s. This is the third exhibition in the series inaugurated by MOCAK in October 2015. The goal of this series is to review art in the city which for centuries has been a capital of art. It was in Krakow that the first Academy of fine Arts (1818), the first national museum (1879) and the first art history institute (1882) in Poland opened. It was near in Poland鈥檚 Royal City that Young Poland came into being, as did Krakow Groups I and II, pivotal in the history of Polish contemporary art. The artistic rebellion against the reality of the day remained in opposition to local conservatism, because, as Boy-呕ele艅ski noted, 鈥榠n Krakow, art was the only force capable of confronting the palaces鈥.
The artists presented shared the stamp of the time they grew up in. The status quo of the People鈥檚 Republic of Poland meant that one had to fight to create an area of personal freedom. The artists found it through protest actions, scandals, positioning themselves as outsiders, detachment from the reality around them, or searching mystical and transcendental quests. For many of these artists, the time of their studies at the Krakow Academy was crucial, defining their confrontation with the Academy鈥檚 tradition 鈥 and either succumb to its principles or oppose them. Another challenge was having to take a stance towards the philosophy of art passed on by the lecturers, including Janina Kraupe-艢widerska, Jerzy Nowosielski, Zbigniew Grzybowski and Mieczys艂aw Wejman. Nevertheless, the shared experience and working in communal studios, didactic work at the Academy or the Pedagogical University, and membership in associations did not result in shaping a homogenous artistic environment.
The exhibition aims to show the manifold trends that inspired that generation of artists, as well as the sources of that inspiration. The analysis of the achievements of individual artists allowed us to identify the works with the greatest potential to depict their philosophy of art. The exhibition has no thematic or media restrictions. We present painting, drawing, photographs, objects and installations. Some of the authors have been internationally successful, others create their art locally, in private context. The juxtaposition has given the exhibition scope to expand the picture of Krakow artistic scene.
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The exhibition presents artists connected with Krakow born in the 1950s and 1960s. This is the third exhibition in the series inaugurated by MOCAK in October 2015. The goal of this series is to review art in the city which for centuries has been a capital of art. It was in Krakow that the first Academy of fine Arts (1818), the first national museum (1879) and the first art history institute (1882) in Poland opened. It was near in Poland鈥檚 Royal City that Young Poland came into being, as did Krakow Groups I and II, pivotal in the history of Polish contemporary art. The artistic rebellion against the reality of the day remained in opposition to local conservatism, because, as Boy-呕ele艅ski noted, 鈥榠n Krakow, art was the only force capable of confronting the palaces鈥.
The artists presented shared the stamp of the time they grew up in. The status quo of the People鈥檚 Republic of Poland meant that one had to fight to create an area of personal freedom. The artists found it through protest actions, scandals, positioning themselves as outsiders, detachment from the reality around them, or searching mystical and transcendental quests. For many of these artists, the time of their studies at the Krakow Academy was crucial, defining their confrontation with the Academy鈥檚 tradition 鈥 and either succumb to its principles or oppose them. Another challenge was having to take a stance towards the philosophy of art passed on by the lecturers, including Janina Kraupe-艢widerska, Jerzy Nowosielski, Zbigniew Grzybowski and Mieczys艂aw Wejman. Nevertheless, the shared experience and working in communal studios, didactic work at the Academy or the Pedagogical University, and membership in associations did not result in shaping a homogenous artistic environment.
The exhibition aims to show the manifold trends that inspired that generation of artists, as well as the sources of that inspiration. The analysis of the achievements of individual artists allowed us to identify the works with the greatest potential to depict their philosophy of art. The exhibition has no thematic or media restrictions. We present painting, drawing, photographs, objects and installations. Some of the authors have been internationally successful, others create their art locally, in private context. The juxtaposition has given the exhibition scope to expand the picture of Krakow artistic scene.
Artists on show
- Adam Rzepecki
- Alek Janicki
- Alicja Zebrowska
- Andrzej Bednarczyk
- Artur Przebindowski
- Artur Tajber
- Bogdan Achimescu
- Boguslaw Bachorczyk
- Grzegorz Sztwiertnia
- Halina Cader
- Ignacy Czwartos
- Jacek Sroka
- Krystyna Orzech
- Krzysztof Klimek
- Lech Polcyn
- Lukasz Skapski
- Marcin Paw艂owski
- Marek Chlanda
- Marek Cho艂oniewski
- Marta Deskur
- Piotr Luty艅ski
- Robert Bubel
- Stanislaw Koba
- Tadeusz Boruta
- Tamara Berdowska
- Tomasz Jerzy Vetulani
- Wojciech 膯wiertniewicz
- Wojciech Kopczynski
- Wojciech Wilczyk
- Zbigniew Bajek
- Zbigniew Salaj
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