Athanasios Argianas: reading machines moving machines
On Stellar Rays is pleased to announce the gallery鈥檚 third solo exhibition by Athanasios Argianas, reading machines moving machines.
Argianas presents a new series of Clay Pressings, wall-based relief works created through a process synonymous with their title, whereby the artist presses objects directly into clay to make a mold. Casts are then made in brass, chrome, marble powder, or synthetic resins. Argianas has frequently worked in a series format, which includes his Song Machines (2007鈥�), Lyrical Machines (2008鈥�), Silence Breakers Silence Shapers (2014鈥�). reading machines moving machines is the first solo presentation of Clay Pressings.
Despite the specificity of the Clay Pressings method, the results are unpredictable to the extent that the works are designed in an inverted manner. Indentations are cast into protrusions, and scrapes and cuts are cast into lines. The process suggests a tactile viewing, whereby objects create visual sequences and form structure. Rhythm and pattern further outline a territory of passed duration, with objects literally displacing clay as they move through its volume.
As in much of Argianas鈥檚 work, patterns suggest a score or other codified language. Here, specific objects such as string, oysters, spines of books, clock hands, or hands that gesture numbers are referents to dimensions of time and the act of measuring. The original text is embedded in the visual score of the work, and often conveyed in full in the work鈥檚 title, as in:
Sea a zero
See zero
Zero seas
To see to zero
To sea two zeros
reading machines moving machines proposes a shift away from discursive thought, carrying more tactile and physical forms of information. The physical properties of Argianas鈥檚 diverse materials are significant and often presented in unexpected forms. Rigid materials take fluid forms, and soft materials are given structure. Such transformations suggest a liminal space where systems and mechanisms freely swap with intuition, break down and open up to their inherent potential: poetics.
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On Stellar Rays is pleased to announce the gallery鈥檚 third solo exhibition by Athanasios Argianas, reading machines moving machines.
Argianas presents a new series of Clay Pressings, wall-based relief works created through a process synonymous with their title, whereby the artist presses objects directly into clay to make a mold. Casts are then made in brass, chrome, marble powder, or synthetic resins. Argianas has frequently worked in a series format, which includes his Song Machines (2007鈥�), Lyrical Machines (2008鈥�), Silence Breakers Silence Shapers (2014鈥�). reading machines moving machines is the first solo presentation of Clay Pressings.
Despite the specificity of the Clay Pressings method, the results are unpredictable to the extent that the works are designed in an inverted manner. Indentations are cast into protrusions, and scrapes and cuts are cast into lines. The process suggests a tactile viewing, whereby objects create visual sequences and form structure. Rhythm and pattern further outline a territory of passed duration, with objects literally displacing clay as they move through its volume.
As in much of Argianas鈥檚 work, patterns suggest a score or other codified language. Here, specific objects such as string, oysters, spines of books, clock hands, or hands that gesture numbers are referents to dimensions of time and the act of measuring. The original text is embedded in the visual score of the work, and often conveyed in full in the work鈥檚 title, as in:
Sea a zero
See zero
Zero seas
To see to zero
To sea two zeros
reading machines moving machines proposes a shift away from discursive thought, carrying more tactile and physical forms of information. The physical properties of Argianas鈥檚 diverse materials are significant and often presented in unexpected forms. Rigid materials take fluid forms, and soft materials are given structure. Such transformations suggest a liminal space where systems and mechanisms freely swap with intuition, break down and open up to their inherent potential: poetics.
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