黑料不打烊


Banksy Universe | Manila 2024

May 14, 2024 - Nov 20, 2024

After first emerging in Bristol in the United Kingdom during the 90s, Banksy鈥檚 stencils, murals, and paintings have since appeared stealthily in major cities, tackling a variety of themes. Images of police officers engaging in illegal acts popped up without warning around the streets of London. Large-scale rats wearing human clothing multiplied on the buildings of New York. And a bevy of cats, flowers, and children suddenly surfaced on the now crumbling walls of Gaza. Banksy鈥檚 satirical and poetic commentary, almost always political, has drawn significant attention and sparked discourse all over the world. And these works in public spaces speak not only for the places in which they were painted;  they echo the shared realities of people living in the same universe as his.

Often polarizing, the practice and works of Banksy invoke alternative responses from public institutions and private entities alike. Banksy鈥檚 artistic milieu involves - and complicates-  the private and the public by way of graffiti, an age-old graphic form of expression. Today, depending on one鈥檚 socio-political leanings, graffiti is regarded as either scourge or blessing. For authorities, graffiti is the bane that leaves a scar on our spaces; for progressives, it is a potent and swift intervention. For Banksy, what truly is most damaging to our cities are the corporate establishments that plaster giant slogans and advertisements across building walls and billboards, filling people鈥檚 brains with consumerist paradigms. Banksy wages his battles in these same spaces 鈥 by using the same walls to reject these ideals. 

Over the past three decades, Banksy has sustained a level of influence and has evolved along, as well as through, the issues that he contextualizes in his works. This influence has moreover allowed his art and the messages contained within to permeate the discussions found within the confines of the academe and many other institutions around the world. Through his body of work, Banksy has raised consciousness among a larger community of artists dealing with similar issues in their own cities. His murals have gained international renown, turning into universal symbols of protest and serving as inspiration to street artists all over the world. 



After first emerging in Bristol in the United Kingdom during the 90s, Banksy鈥檚 stencils, murals, and paintings have since appeared stealthily in major cities, tackling a variety of themes. Images of police officers engaging in illegal acts popped up without warning around the streets of London. Large-scale rats wearing human clothing multiplied on the buildings of New York. And a bevy of cats, flowers, and children suddenly surfaced on the now crumbling walls of Gaza. Banksy鈥檚 satirical and poetic commentary, almost always political, has drawn significant attention and sparked discourse all over the world. And these works in public spaces speak not only for the places in which they were painted;  they echo the shared realities of people living in the same universe as his.

Often polarizing, the practice and works of Banksy invoke alternative responses from public institutions and private entities alike. Banksy鈥檚 artistic milieu involves - and complicates-  the private and the public by way of graffiti, an age-old graphic form of expression. Today, depending on one鈥檚 socio-political leanings, graffiti is regarded as either scourge or blessing. For authorities, graffiti is the bane that leaves a scar on our spaces; for progressives, it is a potent and swift intervention. For Banksy, what truly is most damaging to our cities are the corporate establishments that plaster giant slogans and advertisements across building walls and billboards, filling people鈥檚 brains with consumerist paradigms. Banksy wages his battles in these same spaces 鈥 by using the same walls to reject these ideals. 

Over the past three decades, Banksy has sustained a level of influence and has evolved along, as well as through, the issues that he contextualizes in his works. This influence has moreover allowed his art and the messages contained within to permeate the discussions found within the confines of the academe and many other institutions around the world. Through his body of work, Banksy has raised consciousness among a larger community of artists dealing with similar issues in their own cities. His murals have gained international renown, turning into universal symbols of protest and serving as inspiration to street artists all over the world. 



Artists on show

Contact details

G/F MK Tan Centre, 30th St., Bonifacio Global City Taguig, Philippines 1634

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