Carved: Relief Print Group Exhibitions
David Krut Projects Johannesburg (DKP) is pleased to announce Carved, a group exhibition of woodcut and linocut relief prints made in the David Krut Print Workshop (DKW) at Arts on Main.
In relief printing the artist sketches a composition on a block of material and then cuts away pieces from the surface, leaving a raised area which will receive the ink. A roller is then used to apply ink to this raised surface and the image transferred to paper with a press or by hand burnishing or rubbing. Since the recessed, cut-away areas do not receive ink, they appear white on the printed image. Relief prints are characterized by bold dark-light contrasts and an impress into the paper of the inked lines. The primary relief techniques are woodcut and linocut.
Woodcut is the earliest and most enduring of all print techniques, in which a block of wood is used as the matrix. While woodcuts were first seen in ninth-century China, Western artists have been making woodcut prints since the fourteenth century. They were originally conceived as religious icons and sold as souvenirs of a pilgrimage to holy sites. Woodcut soon became a popular medium for the mass distribution of religious and instructive imagery in Europe, not least through books since, with the invention of movable type, the woodblock matrix could be set in the same press with the text and both text and image printed together. In the seventeenth and eighteenth centuries, woodcuts were developed in Japan to an exceptional level of artistic achievement, known as the ukiyo-e period or style.
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David Krut Projects Johannesburg (DKP) is pleased to announce Carved, a group exhibition of woodcut and linocut relief prints made in the David Krut Print Workshop (DKW) at Arts on Main.
In relief printing the artist sketches a composition on a block of material and then cuts away pieces from the surface, leaving a raised area which will receive the ink. A roller is then used to apply ink to this raised surface and the image transferred to paper with a press or by hand burnishing or rubbing. Since the recessed, cut-away areas do not receive ink, they appear white on the printed image. Relief prints are characterized by bold dark-light contrasts and an impress into the paper of the inked lines. The primary relief techniques are woodcut and linocut.
Woodcut is the earliest and most enduring of all print techniques, in which a block of wood is used as the matrix. While woodcuts were first seen in ninth-century China, Western artists have been making woodcut prints since the fourteenth century. They were originally conceived as religious icons and sold as souvenirs of a pilgrimage to holy sites. Woodcut soon became a popular medium for the mass distribution of religious and instructive imagery in Europe, not least through books since, with the invention of movable type, the woodblock matrix could be set in the same press with the text and both text and image printed together. In the seventeenth and eighteenth centuries, woodcuts were developed in Japan to an exceptional level of artistic achievement, known as the ukiyo-e period or style.
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