Chromatic Permutations
Color is considered the most fundamental, and yet, the most relative element in art. There are hardly identical visual perceptions of color鈥� a single hue may evoke countless readings. Seeing color is strongly anchored on the recognition of the in-betweens of palettes; as well as the placing of the subjects. As creative beings, seeing things singularly is not considered seeing at all.
To visually expound, Galerie Stephanie has gathered artists as an experimental survey. Providing the universally accepted primary colors as their prompts, Chromatic Permutations presents works that give the viewer a more intimate interpretation of the popular color spectrum.
Chromatic Permutations: Red
Typically regarded as the color of vitality, passion, and impulsion, the spectrum of red is in its full range, as seen in this collection. The eloquent interaction of the palettes not only highlights the assigned color, but also gives fluency to see the works beyond the sum of its parts. Take for instance the work 鈥淒issimulation鈥� by Lyndon Maglalang鈥揳t first glance, the diptych calls attention to its evocative blue. Consistently calm and contemplative, the artist鈥檚 use of rose taupe envelopes its lone figure, depicting concealment. This technique is also evident in Eugene Dominguez鈥檚 鈥渟ix o鈥檆lock in the morning鈥濃�攖he relatively minimal application of terracotta sets the scene鈥檚 humid ambiance. Meanwhile, Reybert Ramos鈥� props up the color red for his hybrids鈥� dignified regality. As for the artists Hideo Tanaka, and Aileen Lanuza complements the visualization with the language of flowers鈥擫anuza with her unabashed femininity, Tanaka鈥檚 candidness and precarity. Combining unlikely geometric forms in Ev Yu鈥檚 鈥淩ose Colored Lens鈥� series, her kinetic abstractions lead us to see other elements in which we are confronted physically. Lastly, Keiko Yokoyama鈥檚 tender representation of the color is captured in her works 鈥淩abbit Doll Eye鈥� and 鈥淩abbit Ruby Ring鈥�, tempering an otherwise powerful hue.
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Color is considered the most fundamental, and yet, the most relative element in art. There are hardly identical visual perceptions of color鈥� a single hue may evoke countless readings. Seeing color is strongly anchored on the recognition of the in-betweens of palettes; as well as the placing of the subjects. As creative beings, seeing things singularly is not considered seeing at all.
To visually expound, Galerie Stephanie has gathered artists as an experimental survey. Providing the universally accepted primary colors as their prompts, Chromatic Permutations presents works that give the viewer a more intimate interpretation of the popular color spectrum.
Chromatic Permutations: Red
Typically regarded as the color of vitality, passion, and impulsion, the spectrum of red is in its full range, as seen in this collection. The eloquent interaction of the palettes not only highlights the assigned color, but also gives fluency to see the works beyond the sum of its parts. Take for instance the work 鈥淒issimulation鈥� by Lyndon Maglalang鈥揳t first glance, the diptych calls attention to its evocative blue. Consistently calm and contemplative, the artist鈥檚 use of rose taupe envelopes its lone figure, depicting concealment. This technique is also evident in Eugene Dominguez鈥檚 鈥渟ix o鈥檆lock in the morning鈥濃�攖he relatively minimal application of terracotta sets the scene鈥檚 humid ambiance. Meanwhile, Reybert Ramos鈥� props up the color red for his hybrids鈥� dignified regality. As for the artists Hideo Tanaka, and Aileen Lanuza complements the visualization with the language of flowers鈥擫anuza with her unabashed femininity, Tanaka鈥檚 candidness and precarity. Combining unlikely geometric forms in Ev Yu鈥檚 鈥淩ose Colored Lens鈥� series, her kinetic abstractions lead us to see other elements in which we are confronted physically. Lastly, Keiko Yokoyama鈥檚 tender representation of the color is captured in her works 鈥淩abbit Doll Eye鈥� and 鈥淩abbit Ruby Ring鈥�, tempering an otherwise powerful hue.
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