Colour is Enough
In monochrome works of art there is no single focal point. Unlike the process of reading words on a page, there is no direction for where to start or finish. Viewers are not called to progress from one section to another, but rather to engage with the totality of a single colour. More specifically, understanding and experience is based on ‘consuming’ the whole work of art at once.
In monochromes, colour is its own entity that is distinct and independent. Related to (but not beholden to) form, colour is enough. Nothing else is needed for it to challenge, move, evoke and energise.
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In monochrome works of art there is no single focal point. Unlike the process of reading words on a page, there is no direction for where to start or finish. Viewers are not called to progress from one section to another, but rather to engage with the totality of a single colour. More specifically, understanding and experience is based on ‘consuming’ the whole work of art at once.
In monochromes, colour is its own entity that is distinct and independent. Related to (but not beholden to) form, colour is enough. Nothing else is needed for it to challenge, move, evoke and energise.
Artists on show
- A.D.S. Donaldson
- Aaron Martin
- Barbara Puruntatemeri
- David Serisier
- David Thomas
- Eleanor Louise Butt
- Hayden Stuart
- Hootan Heydari
- Jackson McLaren
- John Nixon
- Julian Martin
- Lachlan Stonehouse
- Louise Gresswell
- Madeline Simm
- Mikala Dwyer
- Nancy Constandelia
- Renee Cosgrave
- Ron Robertson-Swann
- Rox De Luca
- Ruth Howard
- Sam George and Lisa Radford
- Wendy Dawson
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