D for Drawing. P for Paper
Canem Gallery opens the exhibition season with a show based on the origins of the artistic creation, that is the Drawing and the inevitable reference to Paper as its support.
Once again over the last few years, as the poet V. Andr茅s Estell茅s wrote in his poem 鈥淭he rose made out of paper鈥: 鈥淪he had a rose, a rose made out of paper, which died one day and was buried later鈥. People tried to get rid of the support, the messenger, but the poem goes: 鈥淭he local council asked to burn the rose, and as a chant that secretly says, all over the town, a rose made out of paper鈥.
We hence reclaim this support. In the same way that H. Arendt set out the public space as a place of appearance, we can also claim the same about the support and its multiple and different properties. The artist will make life sprout, in the same manner people leave their footprints, we draw and spread our own.
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Canem Gallery opens the exhibition season with a show based on the origins of the artistic creation, that is the Drawing and the inevitable reference to Paper as its support.
Once again over the last few years, as the poet V. Andr茅s Estell茅s wrote in his poem 鈥淭he rose made out of paper鈥: 鈥淪he had a rose, a rose made out of paper, which died one day and was buried later鈥. People tried to get rid of the support, the messenger, but the poem goes: 鈥淭he local council asked to burn the rose, and as a chant that secretly says, all over the town, a rose made out of paper鈥.
We hence reclaim this support. In the same way that H. Arendt set out the public space as a place of appearance, we can also claim the same about the support and its multiple and different properties. The artist will make life sprout, in the same manner people leave their footprints, we draw and spread our own.
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