Emma Spreadborough: You Mustn鈥檛 Go Looking
Photo Museum Ireland is delighted to present the first solo Irish exhibition of Emma Spreadborough鈥檚 You Mustn鈥檛 Go Looking, an imaginative body of work that draws on the remnants of ancient tradition to address contemporary experience in Northern Ireland. Spreadborough takes inspiration from the writing of Brian Friel and his concern for the magical past in Ireland鈥檚 present-day culture. Friel鈥檚 play, Dancing at Lughnasa, explores Ireland鈥檚 mix of religion and politics and how these factors play out within the home. Using interior, domestic spaces as an analogy for safety, structure, and control, where, beyond the relative safety of the home, the landscape is regarded as dangerous and Pagan.
Spreadborough鈥檚 work explores a similar tension in her own upbringing through the evocation of the supernatural in Northern Ireland鈥檚 mythical landscape. Staged and performative scenes suggest a haunted realm of possibility within the everyday, with echoes of half-forgotten folk customs and children鈥檚 games, that reflect a wider search for meaning and connection. The forensic, seemingly objective style of these images is undercut by the dream-like, theatrical quality of the scenes being shown, blurring the line between fiction and reality. These enigmatic rituals bring the threatening, chaotic elements of the outside world into the home, which becomes a place to act out and conquer fears.
In You Musn鈥檛 Go Looking, Speadborough uses metaphor to address issues of place, belonging and cultural memory. The work also reflects current uncertainty and unease arising from recent seismic shifts in the socio-political landscape of the north of Ireland. A recent census in Northern Ireland revealed that for the first time since the establishment of the state, there are more people from a Catholic background in Northern Ireland than Protestants. The landscape is shown as a domain of opposing forces 鈥� past and present, tradition and change 鈥� that underlies everyday reality, breaking through the surface to make unexpected connections with contemporary life.
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Photo Museum Ireland is delighted to present the first solo Irish exhibition of Emma Spreadborough鈥檚 You Mustn鈥檛 Go Looking, an imaginative body of work that draws on the remnants of ancient tradition to address contemporary experience in Northern Ireland. Spreadborough takes inspiration from the writing of Brian Friel and his concern for the magical past in Ireland鈥檚 present-day culture. Friel鈥檚 play, Dancing at Lughnasa, explores Ireland鈥檚 mix of religion and politics and how these factors play out within the home. Using interior, domestic spaces as an analogy for safety, structure, and control, where, beyond the relative safety of the home, the landscape is regarded as dangerous and Pagan.
Spreadborough鈥檚 work explores a similar tension in her own upbringing through the evocation of the supernatural in Northern Ireland鈥檚 mythical landscape. Staged and performative scenes suggest a haunted realm of possibility within the everyday, with echoes of half-forgotten folk customs and children鈥檚 games, that reflect a wider search for meaning and connection. The forensic, seemingly objective style of these images is undercut by the dream-like, theatrical quality of the scenes being shown, blurring the line between fiction and reality. These enigmatic rituals bring the threatening, chaotic elements of the outside world into the home, which becomes a place to act out and conquer fears.
In You Musn鈥檛 Go Looking, Speadborough uses metaphor to address issues of place, belonging and cultural memory. The work also reflects current uncertainty and unease arising from recent seismic shifts in the socio-political landscape of the north of Ireland. A recent census in Northern Ireland revealed that for the first time since the establishment of the state, there are more people from a Catholic background in Northern Ireland than Protestants. The landscape is shown as a domain of opposing forces 鈥� past and present, tradition and change 鈥� that underlies everyday reality, breaking through the surface to make unexpected connections with contemporary life.
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