Figure to Field: Mark Rothko in the 1940s
Mark Rothko in the 1940s traces the development of Rothko鈥檚 work during the most critical decade of his career. In the early 鈥�40s, Rothko rejected realism and began a series of abstract works meant to evoke classical myth; in the late 鈥�40s he created his first color field paintings, the works on which his stature as one of the most famous American painters of the post-war period rests. The exhibition also includes paintings by other celebrated abstract expressionists such as Robert Motherwell, Clyfford Still, and Jackson Pollock, who shared Rothko鈥檚 search toward total abstraction.
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Mark Rothko in the 1940s traces the development of Rothko鈥檚 work during the most critical decade of his career. In the early 鈥�40s, Rothko rejected realism and began a series of abstract works meant to evoke classical myth; in the late 鈥�40s he created his first color field paintings, the works on which his stature as one of the most famous American painters of the post-war period rests. The exhibition also includes paintings by other celebrated abstract expressionists such as Robert Motherwell, Clyfford Still, and Jackson Pollock, who shared Rothko鈥檚 search toward total abstraction.
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