Hasani Sahlehe: Color Test
Night Gallery is thrilled to present Color Test, an exhibition of new paintings by Atlanta-based artist Hasani Sahlehe. This is the artist鈥檚 debut solo presentation with the gallery, following his inclusion in our 2023 group show The Big Picture.
Sahlehe鈥檚 practice is rooted in contemplative investigations of color and abstraction. His simple compositions feature overlapping blocks of color, which produce a distinct visual rhythm. Sahlehe鈥檚 approach is akin to that of a jazz musician who reinterprets a familiar standard in surprising ways; he introduces elements of intuition and improvisation into his rhapsodic variations on color and material.
The artist applies paint on raw canvas via two alternate methods: by spraying diffused acrylic paint with an airbrush and by pouring viscous acrylic gels directly on top of canvas, working flat on his studio floor. He describes this process as a means of allowing color to become one with the canvas, to emerge from its surface with immanent luminosity. As Sahlehe repeats this process with idiosyncratic variation, his paintings become both artifacts of a meditative practice and experiments in color.
The artist has used musical analogies to describe his work. The titles of his recent solo exhibitions include New Songs (106 Green, New York, 2021); Favorite Song (Tif Sigfrids, Athens, GA, 2023); and Song Ideas (CANADA, New York, 2024). Speaking about the new body at Night Gallery, Sahlehe offers a similar, lyrical distinction. While his previous paintings鈥攃haracterized by deeply saturated hues and stark juxtapositions鈥攅voke the raw expressiveness of hard bop, the new paintings represent a shift towards more mellifluous and harmonious visual melodies. If earlier works brought to mind John Coltrane鈥檚 piercing saxophone, these paintings share more in common with Alice Coltrane鈥檚 harp. Ethereal and serene, they reflect an almost cosmic perspective on color, form, and perception.
Sahlehe doesn鈥檛 just employ abstraction as a stylistic mode, but raises questions about abstraction鈥檚 very nature, in art as in life. He notes that even to imagine what constitutes something as fundamental as 鈥渢he world鈥� or 鈥渙ther people鈥� relies on the human capacity for abstract thinking.
In this sense, Sahlehe鈥檚 blocks of color belong to a lexicon of forms that transcends the relatively recent history of abstract painting鈥攖hey are the standing slabs of Stonehenge, the rudimentary building blocks of childhood playtime, shapes arranged and rearranged in order to make meaning out of what we see.
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Night Gallery is thrilled to present Color Test, an exhibition of new paintings by Atlanta-based artist Hasani Sahlehe. This is the artist鈥檚 debut solo presentation with the gallery, following his inclusion in our 2023 group show The Big Picture.
Sahlehe鈥檚 practice is rooted in contemplative investigations of color and abstraction. His simple compositions feature overlapping blocks of color, which produce a distinct visual rhythm. Sahlehe鈥檚 approach is akin to that of a jazz musician who reinterprets a familiar standard in surprising ways; he introduces elements of intuition and improvisation into his rhapsodic variations on color and material.
The artist applies paint on raw canvas via two alternate methods: by spraying diffused acrylic paint with an airbrush and by pouring viscous acrylic gels directly on top of canvas, working flat on his studio floor. He describes this process as a means of allowing color to become one with the canvas, to emerge from its surface with immanent luminosity. As Sahlehe repeats this process with idiosyncratic variation, his paintings become both artifacts of a meditative practice and experiments in color.
The artist has used musical analogies to describe his work. The titles of his recent solo exhibitions include New Songs (106 Green, New York, 2021); Favorite Song (Tif Sigfrids, Athens, GA, 2023); and Song Ideas (CANADA, New York, 2024). Speaking about the new body at Night Gallery, Sahlehe offers a similar, lyrical distinction. While his previous paintings鈥攃haracterized by deeply saturated hues and stark juxtapositions鈥攅voke the raw expressiveness of hard bop, the new paintings represent a shift towards more mellifluous and harmonious visual melodies. If earlier works brought to mind John Coltrane鈥檚 piercing saxophone, these paintings share more in common with Alice Coltrane鈥檚 harp. Ethereal and serene, they reflect an almost cosmic perspective on color, form, and perception.
Sahlehe doesn鈥檛 just employ abstraction as a stylistic mode, but raises questions about abstraction鈥檚 very nature, in art as in life. He notes that even to imagine what constitutes something as fundamental as 鈥渢he world鈥� or 鈥渙ther people鈥� relies on the human capacity for abstract thinking.
In this sense, Sahlehe鈥檚 blocks of color belong to a lexicon of forms that transcends the relatively recent history of abstract painting鈥攖hey are the standing slabs of Stonehenge, the rudimentary building blocks of childhood playtime, shapes arranged and rearranged in order to make meaning out of what we see.
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