I Feel Something, Don鈥檛 Know What
The exhibition I Feel Something, Don鈥檛 Know What is a collaborative project with Zach臋ta Project Room, aiming at building a creative bridge between active creators of the artistic scene in Timi葯oara, Romania and Polish artists included in the exhibitions of our partner institution in Warsaw, Poland over the last few years.
Curated by Magda Kardasz and Diana Marincu, the exhibition brings together seven artists from Timi葯oara (Lera Kelemen, Ana Kun, Andreea Medar, Carmen Nicolau, Pusha Petrov & Miki Velciov, Sorina Vazelina) and six Polish artists (Zofia Gramz, Janusz 艁ukowicz, Paulina Pankiewicz, Anna Siekierska, Miko艂aj Szpaczy艅ski, Marta W臋gli艅ska), invited to produce a new work starting from several intertwined thematic topics: the correlation between natural ecosystems and human intrusion; the creation of some hybrid anthropomorphic creatures 鈥 extensions of multiple human hypostases; the artists鈥 activist and ecological interventions regarding environment, the city and the public space. Thus, the artists are rather interested in self-organising and collaborative structures, which drive them away from existing systems, be it inspiration taken from nature and the wilds, or developing a personal and collective conscience fully sensitive to nowadays issues of human existence inside an exhausted anthropocentric system.
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The exhibition I Feel Something, Don鈥檛 Know What is a collaborative project with Zach臋ta Project Room, aiming at building a creative bridge between active creators of the artistic scene in Timi葯oara, Romania and Polish artists included in the exhibitions of our partner institution in Warsaw, Poland over the last few years.
Curated by Magda Kardasz and Diana Marincu, the exhibition brings together seven artists from Timi葯oara (Lera Kelemen, Ana Kun, Andreea Medar, Carmen Nicolau, Pusha Petrov & Miki Velciov, Sorina Vazelina) and six Polish artists (Zofia Gramz, Janusz 艁ukowicz, Paulina Pankiewicz, Anna Siekierska, Miko艂aj Szpaczy艅ski, Marta W臋gli艅ska), invited to produce a new work starting from several intertwined thematic topics: the correlation between natural ecosystems and human intrusion; the creation of some hybrid anthropomorphic creatures 鈥 extensions of multiple human hypostases; the artists鈥 activist and ecological interventions regarding environment, the city and the public space. Thus, the artists are rather interested in self-organising and collaborative structures, which drive them away from existing systems, be it inspiration taken from nature and the wilds, or developing a personal and collective conscience fully sensitive to nowadays issues of human existence inside an exhausted anthropocentric system.