In the Flesh: Part l: Subliminal Substances
In the Flesh Part I: Subliminal Substances features artists whose work utilizes inorganic ingestible elements found in food, medicines, cosmetics and technological devices. Some of these consumable and non-consumable products emit chemicals and radioactivity that our bodies absorb through the skin. Inorganic ingestibles include, but are not limited to, GMOs, pathogens, hormones, pesticides, steroids, preservatives, radiation and plastics. Such substances seep into our bodies more and more consistently, while the term 鈥渙rganic鈥 is applied liberally and FDA regulations continue to decrease.
Through the work of Ivana Basic, Encyclopedia, Inc., Nicolas Lobo and Sean Raspet, In the Flesh explores the ways in which our bodies very slowly adapt, morph and mutate as a result of the increasing seamlessness between what we think of as purely organic or natural matter, such as skin and flesh, and inorganic, ingestible substances that are regularly consumed. Furthermore, In the Flesh imagines how such porosity will eventually, over time, alter human bodies and shift what is considered 鈥渘atural.鈥
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In the Flesh Part I: Subliminal Substances features artists whose work utilizes inorganic ingestible elements found in food, medicines, cosmetics and technological devices. Some of these consumable and non-consumable products emit chemicals and radioactivity that our bodies absorb through the skin. Inorganic ingestibles include, but are not limited to, GMOs, pathogens, hormones, pesticides, steroids, preservatives, radiation and plastics. Such substances seep into our bodies more and more consistently, while the term 鈥渙rganic鈥 is applied liberally and FDA regulations continue to decrease.
Through the work of Ivana Basic, Encyclopedia, Inc., Nicolas Lobo and Sean Raspet, In the Flesh explores the ways in which our bodies very slowly adapt, morph and mutate as a result of the increasing seamlessness between what we think of as purely organic or natural matter, such as skin and flesh, and inorganic, ingestible substances that are regularly consumed. Furthermore, In the Flesh imagines how such porosity will eventually, over time, alter human bodies and shift what is considered 鈥渘atural.鈥
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