Michelle Lamb devises a world where hardware fasteners form jellyfish, typewriter innards constitute birds, and adding machines and kitchen gadgets generate exotic fish. This psychological phenomenon or tendency of perceiving a specific image in an unrelated medium is called 鈥減areidolia鈥 and Lamb explores its outermost limits. Recontextualizing the symmetry of shapes or repetitive pattern designs of the most common items, Lamb transforms them into Native American inspired totems, Eastern temples or mythological pagan-like shrines, figures and artifacts. Self described as 鈥渋ndustrial baroque鈥 her curious kind of alchemy upcycles that which is base into something rare, refined and remarkable.