Naufus Ram铆rez-Figueroa. Light Spectra
The work of Naufus Ram铆rez-Figueroa (Guatemala City, Guatemala, 1978) fuses sculptural installation, video and performance to open a reflection on his own biography and on his country鈥檚 turbulent history, marked by different forms of violence and armed conflict. Ram铆rez-Figueroa鈥檚 practice draws from Latin American political activism and experimental theatre, calling into question established and entrenched narratives which have emerged on specific episodes in the recent past. Through the physicality of bodies and staged environments that envisage fantasy and reality, the artist revisits his own traumas and those of a country shaped by colonial extractivism, civil war and the social imbalance of the Indigenous population.
With an absurd and humorous approach not without a certain coarseness, Naufus evokes themes related to identity, the body and cultural history which operate beyond the specific context of Guatemala, yet without losing sight of the senselessness of the displacement and exile of his own family and their forced emigration to Vancouver in the 1980s.
This, the most complete exhibition on Ram铆rez-Figueroa鈥檚 work in Spain to date, explores the complexity and richness of his artistic narrative by virtue of an exceptional series of works which prompt new readings and approaches to a unique creative practice. Further, it includes a new and ambitious project in which the artist revisits his own past as an oneiric stage of collective memory, interweaving colonial violence inflicted on the Ch'olti people and silent genocide in Guatemala resulting from a protracted civil war lasting four decades in the second half of the last century.
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The work of Naufus Ram铆rez-Figueroa (Guatemala City, Guatemala, 1978) fuses sculptural installation, video and performance to open a reflection on his own biography and on his country鈥檚 turbulent history, marked by different forms of violence and armed conflict. Ram铆rez-Figueroa鈥檚 practice draws from Latin American political activism and experimental theatre, calling into question established and entrenched narratives which have emerged on specific episodes in the recent past. Through the physicality of bodies and staged environments that envisage fantasy and reality, the artist revisits his own traumas and those of a country shaped by colonial extractivism, civil war and the social imbalance of the Indigenous population.
With an absurd and humorous approach not without a certain coarseness, Naufus evokes themes related to identity, the body and cultural history which operate beyond the specific context of Guatemala, yet without losing sight of the senselessness of the displacement and exile of his own family and their forced emigration to Vancouver in the 1980s.
This, the most complete exhibition on Ram铆rez-Figueroa鈥檚 work in Spain to date, explores the complexity and richness of his artistic narrative by virtue of an exceptional series of works which prompt new readings and approaches to a unique creative practice. Further, it includes a new and ambitious project in which the artist revisits his own past as an oneiric stage of collective memory, interweaving colonial violence inflicted on the Ch'olti people and silent genocide in Guatemala resulting from a protracted civil war lasting four decades in the second half of the last century.
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The work of Naufus Ram铆rez-Figueroa (Guatemala City, Guatemala, 1978) fuses sculptural installation, video and performance to open a reflection on his own biography and on his country鈥檚 turbulent history, marked by different forms of violence and armed conflict.
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