The exhibition offers a cross-reading of
Alix Waline paper works' and the welded metal pieces of
Julian Mayor. The confrontation of these two creators, however formally opposed, reveals the power that creation has to evoke movement, to give life to matter. Thus the aesthetic of Alix Waline, in which fluid and moving forms intertwine with each other to create abstract landscapes, echoes the shimmering reflections of the sculptural and angular furniture of Julian Mayor. Both focus on the sensitive: while the welds in Julian鈥檚 pieces are an invitation to feel the material, Alix鈥檚 work suggests the tactile sense to create a visual object.