Object Oriented: Still Lifes from GRAM鈥檚 Collection
Object Oriented: Still Lifes from GRAM鈥檚 Collection explores the creative possibilities of one of art鈥檚 most fundamental genres through works in the museum鈥檚 permanent collection.
A basket of fruit, a bouquet of flowers, a pile of books, or a bowl of cereal 鈥� though they may seem commonplace, everyday objects have captured artists鈥� attention for centuries. These objects can evoke a mood, demonstrate an artist鈥檚 skill, or remind us of life鈥檚 fleeting beauty. The term 鈥嬧�渟till life鈥� describes a work of art that shows inanimate objects from the natural or man-made world. This open-ended definition makes it an incredibly diverse genre, which is one reason it has endured as a significant mode of artistic expression from ancient times to the present day.
There are numerous reasons artists create still lifes. They may wish to play with composition 鈥� the perspective and arrangement of objects in the picture plane 鈥� or experiment with different techniques. For some artists the objects within a still life take on symbolic or personal meaning. For others, the specific objects depicted are unimportant, they are simply vehicles for capturing color, light, and mood.
Beginning with Louis Moillon鈥檚 Fruit from the 17th century and spanning through the present day, this exhibition consists of 40 paintings, sculptures, photographs, and works on paper from GRAM鈥檚 permanent collection. These include works by artists from the early 20th century, including Marc Chagall, Henri Matisse, Pablo Picasso, and Michigan artists Mathias Alten and Helen Steketee, as well as Pop artists from the 1960s, such as Claes Oldenburg and Tom Wesselmann, and contemporary artists including Carol Wax, Alex Katz, and Stephen Frykholm. The works feature classic subjects, like fruit, flowers, vases, and other decorative items, as well as unexpected subjects like an accordion, television, or a glossy, crumpled food wrapper.
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Object Oriented: Still Lifes from GRAM鈥檚 Collection explores the creative possibilities of one of art鈥檚 most fundamental genres through works in the museum鈥檚 permanent collection.
A basket of fruit, a bouquet of flowers, a pile of books, or a bowl of cereal 鈥� though they may seem commonplace, everyday objects have captured artists鈥� attention for centuries. These objects can evoke a mood, demonstrate an artist鈥檚 skill, or remind us of life鈥檚 fleeting beauty. The term 鈥嬧�渟till life鈥� describes a work of art that shows inanimate objects from the natural or man-made world. This open-ended definition makes it an incredibly diverse genre, which is one reason it has endured as a significant mode of artistic expression from ancient times to the present day.
There are numerous reasons artists create still lifes. They may wish to play with composition 鈥� the perspective and arrangement of objects in the picture plane 鈥� or experiment with different techniques. For some artists the objects within a still life take on symbolic or personal meaning. For others, the specific objects depicted are unimportant, they are simply vehicles for capturing color, light, and mood.
Beginning with Louis Moillon鈥檚 Fruit from the 17th century and spanning through the present day, this exhibition consists of 40 paintings, sculptures, photographs, and works on paper from GRAM鈥檚 permanent collection. These include works by artists from the early 20th century, including Marc Chagall, Henri Matisse, Pablo Picasso, and Michigan artists Mathias Alten and Helen Steketee, as well as Pop artists from the 1960s, such as Claes Oldenburg and Tom Wesselmann, and contemporary artists including Carol Wax, Alex Katz, and Stephen Frykholm. The works feature classic subjects, like fruit, flowers, vases, and other decorative items, as well as unexpected subjects like an accordion, television, or a glossy, crumpled food wrapper.
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