Orest Keywan: Edges, limits and totalities
鈥淪een from a distance, Orest Keywan鈥檚 sculptures can project a reasonably clear image, but from closer range, the ambiguity and equivocalness of his formal language becomes more pronounced. At close quarters we tend to see each work as singular and plural, fragmentary and whole, complete and lacking intensive and dispersed. Often his sculptures tend to form a kind of linear open work 鈥� a speculative, wandering, acrobatic kind of 鈥渄rawing in space鈥�.鈥�
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鈥淪een from a distance, Orest Keywan鈥檚 sculptures can project a reasonably clear image, but from closer range, the ambiguity and equivocalness of his formal language becomes more pronounced. At close quarters we tend to see each work as singular and plural, fragmentary and whole, complete and lacking intensive and dispersed. Often his sculptures tend to form a kind of linear open work 鈥� a speculative, wandering, acrobatic kind of 鈥渄rawing in space鈥�.鈥�
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