Parallel Lines: High Modernism In Croatia 1949鈥1998
The Parallel Lines exhibition features 188 artworks tracing the evolution of Croatian visual art from 1948, when Yugoslavia distanced itself from the USSR and socialist realism, to 1998, marking the reintegration of Croatian territories during the aftermath of the Homeland war of the 鈥90s. This era, shaped by Yugoslavia鈥檚 vision of a 鈥渟ocialist state with a human face鈥, nurtured High Modernism and Neo-avant-garde styles. Zagreb, particularly in the 1960s, became an international hub for artistic innovation, epitomised by the New Tendencies biennials (1961鈥1973), described as the Last Avant-garde.
Je拧a Denegri鈥檚 concept of art of the other line encapsulates diverse practices opposing socialist modernism, characterised by abstract and expressionistic figuration. These opposing tendencies coexisted, shaping a vibrant cultural scene through dialogue, debate, and confrontation. The exhibition highlights these parallel trends as complementary facets of an extraordinary artistic era.
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The Parallel Lines exhibition features 188 artworks tracing the evolution of Croatian visual art from 1948, when Yugoslavia distanced itself from the USSR and socialist realism, to 1998, marking the reintegration of Croatian territories during the aftermath of the Homeland war of the 鈥90s. This era, shaped by Yugoslavia鈥檚 vision of a 鈥渟ocialist state with a human face鈥, nurtured High Modernism and Neo-avant-garde styles. Zagreb, particularly in the 1960s, became an international hub for artistic innovation, epitomised by the New Tendencies biennials (1961鈥1973), described as the Last Avant-garde.
Je拧a Denegri鈥檚 concept of art of the other line encapsulates diverse practices opposing socialist modernism, characterised by abstract and expressionistic figuration. These opposing tendencies coexisted, shaping a vibrant cultural scene through dialogue, debate, and confrontation. The exhibition highlights these parallel trends as complementary facets of an extraordinary artistic era.
Artists on show
- Albert Kinert
- Aleksandar Srnec
- Ante Ra拧i膰
- Anto Jerkovic
- Antun Motika
- Arsen Roje
- Boris Bucan
- Boris Demur
- Bo啪idar Jelini膰
- Bo啪idar Ra拧ica
- Braco Dimitrijevic
- Branko Lepen
- Branko Ru啪i膰
- Dalibor Martinis
- Damir Soki膰
- Dean Jokanovic-toumin
- 膼or膽e Jandri膰
- Dubravka Rakoci
- 膼ur膽ica Zano拧ki-Gudlin
- Ðuro Seder
- Du拧an D啪amonja
- Edita Schubert
- Edo Murtic
- Eugen Feller
- Eugen Kokot
- Fedor Vu膷emilovi膰
- Ferdinand Kulmer
- Goran Fruk
- Goran Trbuljak
- Goranka Vrus Murtic
- Hrvoje 艩ercar
- Igor Ron膷evi膰
- Ivan Ko啪ari膰
- Ivan Picelj
- Ivo Dekovi膰
- Ivo Dul膷i膰
- Ivo Fri拧cic
- Ivo Gattin
- Ivo Kalina
- Ivo 艩ebalj
- Jadranka Fatur
- Jagoda Bui膰
- Jasenka Tu膰an
- Jelena Peri膰
- Josip Dimini膰
- Josip Klarica
- Josip Vanista
- Josko Eterovic
- Julije Knifer
- Juraj Dobrovi膰
- Kosta Angeli Radovani
- Krsto Hegedusi膰
- Ksenija Kantoci
- Kuzma Kova膷i膰
- Ljerka 艩ibenik
- Ljubo Ivan膷i膰
- Marijan Jev拧ovar
- Marijana Muljevi膰
- Matko Treboti膰
- Milena Lah
- Miljenko Stancic
- Mirko Zrin拧膰ak
- Miro Vuco
- Miroslav Sutej
- Mladen Gali膰
- Mladen Stilinovi膰
- Nives Kavuri膰-Kurtovi膰
- Ordan Petlevski
- Oton Gliha
- Oton Postru啪nik
- Per怒sko鈥 Bogdani膰
- Petar Bari拧i膰
- Ratko Petri膰
- Rudolf Laba拧
- Sanja Ivekovic
- 艩ime Peri膰
- Sime Vulas
- Slavko Kopa膷
- Slavomir Drinkovi膰
- Sofija Naletilic Penavu拧a
- Sre膰ko Planini膰
- Stanko Jan膷i膰
- Stjepan Gra膷an
- Sven Stilinovi膰
- Tomislav Gotovac
- Valerije Michieli
- Vanja Radaus
- Vasilije Jordan
- Vatroslav Kuli拧
- Vesna Popr啪an
- Vjenceslav Richter
- Vladimir Ga拧pari膰
- Vladimir Kristl
- Vlado Jakeli膰
- Vlado Martek
- Vlasta Delimar
- Vlasta 沤ani膰
- Vojin Baki膰
- 沤eljko Hegedu拧i膰
- 沤eljko Jerman
- 沤eljko Kipke
- Zeljko Lapuh
- Zlatan Vrkljan
- Zlatko Kauzlari膰 Atac
- Zlatko Kopljar
- Zlatko Prica
- Zvjezdana Fio
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