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British artist Phyllida Barlow has continuously challenged the conventions of sculpture. Infusing humble materials such as cardboard, fabric, plywood, and cement with a boundless energy, she persuades the viewer to experience form on its own terms rather than to reflexively project meaning onto it. ‘glimpse,’ the artist’s first solo exhibition in Los Angeles in her celebrated five-decade career, will be an ambitious presentation of new large-scale works assembled on site and in response to the gallery’s physical adaptation of the historic Globe Mills, a collection of late 19th and early 20th century buildings. Here Barlow will respond to, manipulate, and punctuate the distinctive architectural features of the complex with her sculptures, yielding an intimate and confrontational encounter between form, environment, and viewer. Visitors will be encouraged to walk around and under, and look up and over the sculptures. Such interaction is a critical element of Barlow’s work, typical of her longtime exploration of the ways in which sculpture can open the mind to different realms of experience by summoning the body forward.

Parallel to her studio practice, Barlow worked as a teacher for more than forty years before retiring in 2009 from the Slade School of Fine Art, University College London, where she was made Emerita Professor of Fine Art. On the occasion of her first Los Angeles exhibition and in the spirit of her acclaimed pedagogical career, Hauser & Wirth Publishers recently released ‘Phyllida Barlow: Collected Lectures, Writings, and Interviews,’ a publication that brings together 50 texts by Barlow – a diverse array of prose, presentations, reflections on exhibitions, and conversations with art-world luminaries, critics, and fellow artists – from across her esteemed practice. This volume illuminates Barlow’s unique insights and serves as a compelling complement to the works on view in ‘glimpse.’