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Pure Color: Pastels from the Cleveland Museum of Art celebrates pastels made from the second half of the 19th through the early 20th century, a remarkably creative period of richness, diversity, and experimentation in the use of the medium. During this time, works on paper were increasingly valued, collected, and exhibited as works of art in their own right. In response to this trend, the Soci茅t茅 des Pastellistes de France was created in 1885 to promote the work of artists working in pastel; the first exhibition dedicated to the medium was held in Paris that same year.

Impressionists Edgar Degas and Mary Cassatt were attracted by the spectrum of available colors with which they could capture the transient effects of nature and light鈥攆rom a windswept field of golden wheat to the blush on a youthful cheek. Post-Impressionists Odilon Redon and Claude-Emile Schuffenecker used the kaleidoscopic range of pastel to communicate their expressive and symbolic responses to the world around them. Modernist artists such as Otto Freundlich and Gino Severini used the medium on their path toward abstraction.