Sam Druant: Hatching Between Two Trees
de boer (Antwerpen) is pleased to present Hatching Between Two
Trees, a solo exhibition by Belgian artist Sam Druant. Rooted in alternative
narratives and magical thinking, Druant reimagines storytelling and
knowledge-sharing through a deeply material and participatory approach.
Textiles serve as the foundation of Druant鈥檚 work, carrying the historical weight of domesticity and femininity while subverting common associations. Embracing their European historical ties to the domestic sphere, she transforms yarn and fabric into intricate, vividly colored tapestries interwoven with prose and poetry. The layered narratives created through fabric and linguistics present alternative worlds. One where domestic craft becomes a site of resistance, a modem of memory and possibility. Here, conceptual rigor meets craft and elicits societal critique through the medium of textiles.
In Hatching Between Two Trees, Druant extends her practice into
public engagement, incorporating a window installation that invites the
audience into the work itself. These encounters cultivate a space for
relational aesthetics and shared knowledge, fostering dialogue around feminist
storytelling and communal world-building. Drawing inspiration from thinkers
like Ursula K. Le Guin鈥檚 Carrier Bag Theory of Fiction and Jennifer Bloomer鈥檚
The Hatchery, Druant鈥檚 work challenges linear histories and embraces a more
fluid, collective form of meaning-making.
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de boer (Antwerpen) is pleased to present Hatching Between Two
Trees, a solo exhibition by Belgian artist Sam Druant. Rooted in alternative
narratives and magical thinking, Druant reimagines storytelling and
knowledge-sharing through a deeply material and participatory approach.
Textiles serve as the foundation of Druant鈥檚 work, carrying the historical weight of domesticity and femininity while subverting common associations. Embracing their European historical ties to the domestic sphere, she transforms yarn and fabric into intricate, vividly colored tapestries interwoven with prose and poetry. The layered narratives created through fabric and linguistics present alternative worlds. One where domestic craft becomes a site of resistance, a modem of memory and possibility. Here, conceptual rigor meets craft and elicits societal critique through the medium of textiles.
In Hatching Between Two Trees, Druant extends her practice into
public engagement, incorporating a window installation that invites the
audience into the work itself. These encounters cultivate a space for
relational aesthetics and shared knowledge, fostering dialogue around feminist
storytelling and communal world-building. Drawing inspiration from thinkers
like Ursula K. Le Guin鈥檚 Carrier Bag Theory of Fiction and Jennifer Bloomer鈥檚
The Hatchery, Druant鈥檚 work challenges linear histories and embraces a more
fluid, collective form of meaning-making.