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Simone Zaccagnini: Riviera Sunset Boulevard

Jun 27, 2018 - Jul 21, 2018

Riviera Sunset Boulevard is an installation of 10-12 works. The works escape all borders, forms and shapes. The materials are all chosen carefully and sourced from the Internet; the three identical Kellogg鈥檚 jackets were ordered from New Zealand, Italy and the US. Typically, Simone would use wooden stretchers as canvas, but these have none 鈥 they鈥檙e made a bit like a soft suitcase; onto red gummy these jackets and jerseys are mounted, with logos in bright palettes (no blacks or browns or dark reds), layered with Fimo clay (typically used by kids or punks), also in intense colors. For this exhibition, Simone has looked to COBRA artists like Karel Appel and Asger Jorn, as well as Tanaka Atsuko from the Gutai collective.

Part of the idea of a sculpture is that you鈥檙e standing in front of, looking at, a monument. These new works are not monumental like sculptures normally are. They are empty inside, but have a functional structure, which allows them to be put on the couch, put on the wall, slept on. 鈥淚n a way, I try to keep the functionality away. When I start working on them, they have a function, and after I have worked on them, they have no function. They are stretched until broken, they are cut鈥.



Riviera Sunset Boulevard is an installation of 10-12 works. The works escape all borders, forms and shapes. The materials are all chosen carefully and sourced from the Internet; the three identical Kellogg鈥檚 jackets were ordered from New Zealand, Italy and the US. Typically, Simone would use wooden stretchers as canvas, but these have none 鈥 they鈥檙e made a bit like a soft suitcase; onto red gummy these jackets and jerseys are mounted, with logos in bright palettes (no blacks or browns or dark reds), layered with Fimo clay (typically used by kids or punks), also in intense colors. For this exhibition, Simone has looked to COBRA artists like Karel Appel and Asger Jorn, as well as Tanaka Atsuko from the Gutai collective.

Part of the idea of a sculpture is that you鈥檙e standing in front of, looking at, a monument. These new works are not monumental like sculptures normally are. They are empty inside, but have a functional structure, which allows them to be put on the couch, put on the wall, slept on. 鈥淚n a way, I try to keep the functionality away. When I start working on them, they have a function, and after I have worked on them, they have no function. They are stretched until broken, they are cut鈥.



Artists on show

Contact details

38 rue Notre Dame de Nazareth 3e - Paris, France 75003

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