黑料不打烊

Gagosian is pleased to announce TURBINES, an exhibition of new abstract paintings by Sterling Ruby that represent a convergence of several bodies of work, using different mediums to expand the definitions of painting and collage.

Started in 2021, the TURBINE series incorporates the same materials that characterize Ruby鈥檚 earlier WIDW paintings (2016鈥�)鈥攖he title is an abbreviation of window鈥攜et abandons their stark vertical divisions in favor of energetic, intersecting diagonals. Making reference not only to turbines and windmills, but also to hurricanes, explosions, fires, war, and geographical boundaries, cardboard components are blasted across the canvas, suggesting that elemental forces are pushing them toward the edges of the frame. Rather than implying the observation of action through a window, the combination of oil paint with bright cardboard swatches is tumultuous, as if a storm has blown the window apart and set its elements in motion.

The TURBINE paintings are born from Ruby鈥檚 desire to make works that are not pictorial, figurative, or didactic, but that still contain recognizable and thought-provoking elements. In its elicitation of speed and devastation鈥攕pecifically self-destruction鈥擳URBINES inevitably evokes the Futurists and Russian Constructivism. Ruby has cited the influence of various works, including Giacomo Balla鈥檚 painting The Spell Is Broken (1920) and El Lissitzky鈥檚 Prounenraum (Proun Room) (1923), which belongs to a series of immersive abstractions that radically reconceive material and space as a metaphor for the societal changes Lissitzky expected from the Russian Revolution. In TURBINES, Ruby employs abstraction as a response to contemporary ills, using formal relationships as broad allegories for social and ideological frictions.