The Cranbrook Hall of Wonders: Artworks, Objects, and Natural Curiosities
The Cranbrook Hall of Wonders draws its inspiration from the precursor to the modern museum: the 鈥淐abinet of Curiosities鈥� or 鈥淲underkammer,鈥� a sixteenth-century collecting and display technique in which art, ornate functional objects, natural oddities, and anthropological discoveries co-existed together as a microcosm of knowledge. This contemporary interpretation is a floor-to-ceiling installation featuring Cranbrook Art Museum鈥檚 preeminent collection of artworks, design, and craft objects from the twentieth and twenty-first centuries, exhibited alongside cultural properties from Cranbrook鈥檚 historic campus, and inspired selections from the vast holdings of Cranbrook Institute of Science. From the sculpture of Claes Oldenburg to antique navigational tools to Arts and Crafts pottery, the Hall of Wonders combines seemingly disparate objects to explore new avenues of display and context, shaping compelling vignettes that鈥攊n the spirit of its Renaissance-era predecessors鈥攕eek to captivate, provoke, and amaze.
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The Cranbrook Hall of Wonders draws its inspiration from the precursor to the modern museum: the 鈥淐abinet of Curiosities鈥� or 鈥淲underkammer,鈥� a sixteenth-century collecting and display technique in which art, ornate functional objects, natural oddities, and anthropological discoveries co-existed together as a microcosm of knowledge. This contemporary interpretation is a floor-to-ceiling installation featuring Cranbrook Art Museum鈥檚 preeminent collection of artworks, design, and craft objects from the twentieth and twenty-first centuries, exhibited alongside cultural properties from Cranbrook鈥檚 historic campus, and inspired selections from the vast holdings of Cranbrook Institute of Science. From the sculpture of Claes Oldenburg to antique navigational tools to Arts and Crafts pottery, the Hall of Wonders combines seemingly disparate objects to explore new avenues of display and context, shaping compelling vignettes that鈥攊n the spirit of its Renaissance-era predecessors鈥攕eek to captivate, provoke, and amaze.
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