黑料不打烊


The Indiscipline of Painting: International Abstraction From the 1960s to Now

Oct 08, 2011 - Jan 03, 2012
The Indiscipline of Painting is an international group exhibition including works by forty-nine artists from the 1960s to now. Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last 50 years. It goes on to demonstrate the way in which the history and legacy of abstract painting continues to inspire artists working today.

The contemporary position of abstract painting is problematic. It can be seen to be synonymous with a modernist moment that has long since passed, and an ideology which led the medium to stagnate in self-reflexivity and ideas of historical progression. The Indiscipline of Painting challenges such assumptions. It reveals how painting鈥檚 modernist histories, languages and positions have continued to provoke ongoing dialogues with contemporary practitioners, even as painting鈥檚 decline and death has been routinely and erroneously declared.

The show brings together works by British, American and European artists made over the last five decades and features major new commissions and loans. It includes important works by Andy Warhol, Frank Stella, Gerhard Richter and Bridget Riley alongside other lesser known artists such as Tomma Abts, Martin Barr茅, Mary Heilmann and Jeremy Moon.

The Indiscipline of Painting is a collaborative project between Tate St Ives and Mead Gallery, Warwick Arts Centre. The exhibition travels to the Mead Gallery and opens on the 14 January 2012, running until 10 March 2012.


The Indiscipline of Painting is an international group exhibition including works by forty-nine artists from the 1960s to now. Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last 50 years. It goes on to demonstrate the way in which the history and legacy of abstract painting continues to inspire artists working today.

The contemporary position of abstract painting is problematic. It can be seen to be synonymous with a modernist moment that has long since passed, and an ideology which led the medium to stagnate in self-reflexivity and ideas of historical progression. The Indiscipline of Painting challenges such assumptions. It reveals how painting鈥檚 modernist histories, languages and positions have continued to provoke ongoing dialogues with contemporary practitioners, even as painting鈥檚 decline and death has been routinely and erroneously declared.

The show brings together works by British, American and European artists made over the last five decades and features major new commissions and loans. It includes important works by Andy Warhol, Frank Stella, Gerhard Richter and Bridget Riley alongside other lesser known artists such as Tomma Abts, Martin Barr茅, Mary Heilmann and Jeremy Moon.

The Indiscipline of Painting is a collaborative project between Tate St Ives and Mead Gallery, Warwick Arts Centre. The exhibition travels to the Mead Gallery and opens on the 14 January 2012, running until 10 March 2012.


Contact details

Sunday - Saturday
10:00 AM - 5:20 PM
Porthmeor Beach St. Ives, UK TR26 1TG

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