The Pattern of Patience
We are proud to present a new group show entitled, The Pattern of Patience, curated by Omar Lopez-Chahoud. The show is on view June 17-August 15, 2021.
The Pattern of Patience is an exhibition that brings together ten artists from diverse cultural backgrounds whose works evoke topics of gender, race, and class in the face of social inequality in a global economy that favors only a few. Technology and greed have become the major forces behind today鈥檚 political arena, and yet the labor and cultural production the participating artists work in embraces tradition, personal histories and experience to better understand the construction of a contemporary identity that has lost patience with the status quo.
Teresa Lanceta鈥檚 textile works serve as a metaphor for the current and historical dynamic that exists between Spain and the African continent. Lanceta spent time in Morocco learning textile techniques that she incorporates into her beautiful geometric abstractions. Nyugen Smith blends his Caribbean heritage with growing up in Newark, NJ to reference the black experience in The United States. Multiple elements in Smith鈥檚 mixed media floor installation confront the viewer and reference a fragmented history that needs to be reconstructed. Marie Watt鈥檚 bead works use text to bring attention to her community鈥檚 needs. Watt is a member of the Seneca Nation, learning the craft from her mother who also learned it from hers, passing on the tradition. Hellen Ascoli uses weaving in collaboration with indigenous groups in Guatemala as the core of her work to bring attention to the cultural and social-political significance of those groups in the Central American region.
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We are proud to present a new group show entitled, The Pattern of Patience, curated by Omar Lopez-Chahoud. The show is on view June 17-August 15, 2021.
The Pattern of Patience is an exhibition that brings together ten artists from diverse cultural backgrounds whose works evoke topics of gender, race, and class in the face of social inequality in a global economy that favors only a few. Technology and greed have become the major forces behind today鈥檚 political arena, and yet the labor and cultural production the participating artists work in embraces tradition, personal histories and experience to better understand the construction of a contemporary identity that has lost patience with the status quo.
Teresa Lanceta鈥檚 textile works serve as a metaphor for the current and historical dynamic that exists between Spain and the African continent. Lanceta spent time in Morocco learning textile techniques that she incorporates into her beautiful geometric abstractions. Nyugen Smith blends his Caribbean heritage with growing up in Newark, NJ to reference the black experience in The United States. Multiple elements in Smith鈥檚 mixed media floor installation confront the viewer and reference a fragmented history that needs to be reconstructed. Marie Watt鈥檚 bead works use text to bring attention to her community鈥檚 needs. Watt is a member of the Seneca Nation, learning the craft from her mother who also learned it from hers, passing on the tradition. Hellen Ascoli uses weaving in collaboration with indigenous groups in Guatemala as the core of her work to bring attention to the cultural and social-political significance of those groups in the Central American region.
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