Tim Storrier : Elemental Reckoning
A countryman by upbringing and temperament, Storrier has created an astonishing range of imagery steeped in early memories of life on the land. The four elements: earth, air, fire and water provide the framework for the artist’s singular vision of the Australian experience. Perhaps none more-so than fire, that culminates in the artist’s critical foray into the cultural detritus of our times seen in works such as Pastoral domestic (cultural wind), 2007.
The sheer beauty and artistry of Storrier’s practice is revealed in a range of inspired imagery imbued with poetic resonance - the vivid memory of air travel as a youngster in Boys own (Flight Home Umagarlee), 2007; musing over a sullen, wind-swept ocean The wave and garland, 1998; or the experience of a blazing night sky, Starlight the plain (night coals), 2008.
The intensity of Storrier’s gaze is leavened with laconic studies of his favourite old dog, Bunce, (now departed), either balancing a bottle on his head, struggling with temptation or, simply bewildered at the size of the haunch of beef at the end of his chain in the Black dog dilemma series of 2007.
The year 1981 is significant as it marked the beginning of Storrier’s iconic burning rope experiments on the salt pans of Lake Mungo. The exhibition at the SH Ervin Gallery in November 2011 will consist of approximately 55 works including paintings, graphics and photography. Works will be drawn from public galleries, private collections and the artist.
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A countryman by upbringing and temperament, Storrier has created an astonishing range of imagery steeped in early memories of life on the land. The four elements: earth, air, fire and water provide the framework for the artist’s singular vision of the Australian experience. Perhaps none more-so than fire, that culminates in the artist’s critical foray into the cultural detritus of our times seen in works such as Pastoral domestic (cultural wind), 2007.
The sheer beauty and artistry of Storrier’s practice is revealed in a range of inspired imagery imbued with poetic resonance - the vivid memory of air travel as a youngster in Boys own (Flight Home Umagarlee), 2007; musing over a sullen, wind-swept ocean The wave and garland, 1998; or the experience of a blazing night sky, Starlight the plain (night coals), 2008.
The intensity of Storrier’s gaze is leavened with laconic studies of his favourite old dog, Bunce, (now departed), either balancing a bottle on his head, struggling with temptation or, simply bewildered at the size of the haunch of beef at the end of his chain in the Black dog dilemma series of 2007.
The year 1981 is significant as it marked the beginning of Storrier’s iconic burning rope experiments on the salt pans of Lake Mungo. The exhibition at the SH Ervin Gallery in November 2011 will consist of approximately 55 works including paintings, graphics and photography. Works will be drawn from public galleries, private collections and the artist.
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