Vienna 1900: Klimt, Schiele and their Times
Klimt and his brilliant prot茅g茅 Schiele were the leading lights in Vienna of the day. The exhibition brings together an unprecedented selection of their masterworks from great museums and private collections around the world.
Portraits by the young Oskar Kokoschka, self-portraits by the tragedy-plagued Richard Gerstl, and works by the composer-painter Arnold Schoenberg, form further highlights. Works by other artists, architects, furniture designers, and artisans of the Viennese Secession and Workshops show how their close collaboration gave rise to a new, interdisciplinary form of art: the gesamtkunstwerk.
The Fondation Beyeler exhibition will comprise approximately 200 oil paintings, watercolors and drawings, supplemented by architectural models, furniture, textile designs, glass and silver objects, artists posters, and photographs. These add up to a fascinating picture of Vienna around 1900, of a kind never seen before.
Conceived by guest curator Barbara Steffen, the exhibition enjoys the special support of the Museum Leopold, the Albertina, the Kunsthaus Zug Stiftung Sammlung Kamm, and the Belvedere, MAK, Neue Galerie New York, Wien Museum, and Wiener Secession.
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Klimt and his brilliant prot茅g茅 Schiele were the leading lights in Vienna of the day. The exhibition brings together an unprecedented selection of their masterworks from great museums and private collections around the world.
Portraits by the young Oskar Kokoschka, self-portraits by the tragedy-plagued Richard Gerstl, and works by the composer-painter Arnold Schoenberg, form further highlights. Works by other artists, architects, furniture designers, and artisans of the Viennese Secession and Workshops show how their close collaboration gave rise to a new, interdisciplinary form of art: the gesamtkunstwerk.
The Fondation Beyeler exhibition will comprise approximately 200 oil paintings, watercolors and drawings, supplemented by architectural models, furniture, textile designs, glass and silver objects, artists posters, and photographs. These add up to a fascinating picture of Vienna around 1900, of a kind never seen before.
Conceived by guest curator Barbara Steffen, the exhibition enjoys the special support of the Museum Leopold, the Albertina, the Kunsthaus Zug Stiftung Sammlung Kamm, and the Belvedere, MAK, Neue Galerie New York, Wien Museum, and Wiener Secession.
Artists on show
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