With Head and Hand: Variations for Subscription
Sep 11, 2010 - Jan 16, 2011
During the 20th Century and again during the last decades has been defined the medium of drawing over again. The following tendencies can be seen, among other things, first, the gradual recognition of the drawing to an independent artistic expression in addition to painting and sculpture. She was freed from a preliminary or only serving artisanal approach.
Second, the drawing corresponded in their abstract, conceptual quality of the search for the intellectual foundations of the art as the 20th Century had worked intensively.
And third, came to meet the need for drawing the spontaneity and immediacy, which was a driving force to overcome rigid style concepts and the narrow artistic personalities.
The artistic contributions of the painters EK Kirchner, Francis Picabia, Henri Michaux, Roy Lichtenstein and sculptor David Smith, stake out a field of drawing, which was also by the artists of the D眉sseldorf Academy after World War II extensively studied and extended.
The relationship between drawing and writing with Kirchner, the interweaving of figuration and imagination in Picabia, abstraction and drawing at Michaux and finally David Smith.
Systematic search for the sculptures in the white space of the area can detect the directions, could go into the young artist: Siegfried Anzinger, Joseph Beuys, Anthony Cragg, Peter Doig, Eggenschwiler, Helmut Federle, J枚rg Immendorff, Konrad Klapheck, Dieter Krieg, Markus L眉pertz, Albert Oehlen, AR Penck, Gerhard Richter, Fritz Schwegler, Rosemarie Trockel will be on display and many others.
The rooms of the Academy Gallery will be transformed into a dense installation of some 100 drawings offer an exceptional display of this medium, which could just reach in the art of the last decades an obvious application in the run or in addition to the works in other genres.
Second, the drawing corresponded in their abstract, conceptual quality of the search for the intellectual foundations of the art as the 20th Century had worked intensively.
And third, came to meet the need for drawing the spontaneity and immediacy, which was a driving force to overcome rigid style concepts and the narrow artistic personalities.
The artistic contributions of the painters EK Kirchner, Francis Picabia, Henri Michaux, Roy Lichtenstein and sculptor David Smith, stake out a field of drawing, which was also by the artists of the D眉sseldorf Academy after World War II extensively studied and extended.
The relationship between drawing and writing with Kirchner, the interweaving of figuration and imagination in Picabia, abstraction and drawing at Michaux and finally David Smith.
Systematic search for the sculptures in the white space of the area can detect the directions, could go into the young artist: Siegfried Anzinger, Joseph Beuys, Anthony Cragg, Peter Doig, Eggenschwiler, Helmut Federle, J枚rg Immendorff, Konrad Klapheck, Dieter Krieg, Markus L眉pertz, Albert Oehlen, AR Penck, Gerhard Richter, Fritz Schwegler, Rosemarie Trockel will be on display and many others.
The rooms of the Academy Gallery will be transformed into a dense installation of some 100 drawings offer an exceptional display of this medium, which could just reach in the art of the last decades an obvious application in the run or in addition to the works in other genres.
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During the 20th Century and again during the last decades has been defined the medium of drawing over again. The following tendencies can be seen, among other things, first, the gradual recognition of the drawing to an independent artistic expression in addition to painting and sculpture. She was freed from a preliminary or only serving artisanal approach.
Second, the drawing corresponded in their abstract, conceptual quality of the search for the intellectual foundations of the art as the 20th Century had worked intensively.
And third, came to meet the need for drawing the spontaneity and immediacy, which was a driving force to overcome rigid style concepts and the narrow artistic personalities.
The artistic contributions of the painters EK Kirchner, Francis Picabia, Henri Michaux, Roy Lichtenstein and sculptor David Smith, stake out a field of drawing, which was also by the artists of the D眉sseldorf Academy after World War II extensively studied and extended.
The relationship between drawing and writing with Kirchner, the interweaving of figuration and imagination in Picabia, abstraction and drawing at Michaux and finally David Smith.
Systematic search for the sculptures in the white space of the area can detect the directions, could go into the young artist: Siegfried Anzinger, Joseph Beuys, Anthony Cragg, Peter Doig, Eggenschwiler, Helmut Federle, J枚rg Immendorff, Konrad Klapheck, Dieter Krieg, Markus L眉pertz, Albert Oehlen, AR Penck, Gerhard Richter, Fritz Schwegler, Rosemarie Trockel will be on display and many others.
The rooms of the Academy Gallery will be transformed into a dense installation of some 100 drawings offer an exceptional display of this medium, which could just reach in the art of the last decades an obvious application in the run or in addition to the works in other genres.
Second, the drawing corresponded in their abstract, conceptual quality of the search for the intellectual foundations of the art as the 20th Century had worked intensively.
And third, came to meet the need for drawing the spontaneity and immediacy, which was a driving force to overcome rigid style concepts and the narrow artistic personalities.
The artistic contributions of the painters EK Kirchner, Francis Picabia, Henri Michaux, Roy Lichtenstein and sculptor David Smith, stake out a field of drawing, which was also by the artists of the D眉sseldorf Academy after World War II extensively studied and extended.
The relationship between drawing and writing with Kirchner, the interweaving of figuration and imagination in Picabia, abstraction and drawing at Michaux and finally David Smith.
Systematic search for the sculptures in the white space of the area can detect the directions, could go into the young artist: Siegfried Anzinger, Joseph Beuys, Anthony Cragg, Peter Doig, Eggenschwiler, Helmut Federle, J枚rg Immendorff, Konrad Klapheck, Dieter Krieg, Markus L眉pertz, Albert Oehlen, AR Penck, Gerhard Richter, Fritz Schwegler, Rosemarie Trockel will be on display and many others.
The rooms of the Academy Gallery will be transformed into a dense installation of some 100 drawings offer an exceptional display of this medium, which could just reach in the art of the last decades an obvious application in the run or in addition to the works in other genres.
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