Written Images: Contemporary Calligraphy from the Middle East
Nov 10, 2011 - Dec 03, 2011
The work of more than a dozen influential artists from the Middle East offers a rare glimpse into the contemporary Arab and Iranian art worlds. Written Images: Contemporary Calligraphy from the Middle East, curated by noted art historian Karin von Roques, explores the role of traditional Islamic calligraphy and symbols in the contemporary Middle Eastern consciousness.
Arabic calligraphy in all its aesthetic and linguistic complexity is little understood in the West and often regarded as an art form belonging to the classic Islamic arts and, therefore, to the past. In fact, it plays an important role in contemporary Arab and Iranian art. For centuries, the written word has been at the center of Islamic visual culture鈥� a legacy that persists even today.
Artists including Iraqi Hassan Massoudy, and Tunisian Nja Mahdaoui were among the first to look at writing from an entirely new perspective and reposition calligraphy in the contemporary context. They have deftly expanded its potential so it is image as well as language. For them and the other artists in this show, writing is more than the legible word; they use it as a pictorial, formal element, referencing a multitude of issues鈥攔eligious, social, political and personal.
Working with different media, including paint on canvas, collage, ink on paper, gold leaf and silkscreen, these artists take traditional Arabic script and symbols as their point of departure. Qatari artist Yousef Ahmad distills Arabic letters into abstract shapes and gestural marks that sweep across dreamlike mixed-media surfaces. Syrian artist Khaled Al-Saa鈥檌 is inspired by poetry and Sufi philosophy, and paints spacious landscapes in which words float, overlap and follow their own particular rhythm. Offering a nuanced view of the culture of the Middle East, these innovative artists create complex contemporary works that draw on the spiritual depth of ancient Islamic art.
Rather than singling out Arab culture as 鈥渙ther,鈥� this exhibition aims to further intercultural dialogue between the Arab world and the West. It follows on the success of Signs: Contemporary Arab Art, also curated by Karin von Roques, mounted at Sundaram Tagore New York in 2009 and Sundaram Tagore Beverly Hills in 2010. Both shows offer a view of the culture of the Islamic world apart from the usual subjects of politics and religion. Having studied and lived in the Middle East over the past decade, Karin von Roques has an intimate and unique understanding of the region and its artists. With this show, she throws into relief the wide range of work emerging from the contemporary Middle East, bringing its seminal artists to an international audience.
Arabic calligraphy in all its aesthetic and linguistic complexity is little understood in the West and often regarded as an art form belonging to the classic Islamic arts and, therefore, to the past. In fact, it plays an important role in contemporary Arab and Iranian art. For centuries, the written word has been at the center of Islamic visual culture鈥� a legacy that persists even today.
Artists including Iraqi Hassan Massoudy, and Tunisian Nja Mahdaoui were among the first to look at writing from an entirely new perspective and reposition calligraphy in the contemporary context. They have deftly expanded its potential so it is image as well as language. For them and the other artists in this show, writing is more than the legible word; they use it as a pictorial, formal element, referencing a multitude of issues鈥攔eligious, social, political and personal.
Working with different media, including paint on canvas, collage, ink on paper, gold leaf and silkscreen, these artists take traditional Arabic script and symbols as their point of departure. Qatari artist Yousef Ahmad distills Arabic letters into abstract shapes and gestural marks that sweep across dreamlike mixed-media surfaces. Syrian artist Khaled Al-Saa鈥檌 is inspired by poetry and Sufi philosophy, and paints spacious landscapes in which words float, overlap and follow their own particular rhythm. Offering a nuanced view of the culture of the Middle East, these innovative artists create complex contemporary works that draw on the spiritual depth of ancient Islamic art.
Rather than singling out Arab culture as 鈥渙ther,鈥� this exhibition aims to further intercultural dialogue between the Arab world and the West. It follows on the success of Signs: Contemporary Arab Art, also curated by Karin von Roques, mounted at Sundaram Tagore New York in 2009 and Sundaram Tagore Beverly Hills in 2010. Both shows offer a view of the culture of the Islamic world apart from the usual subjects of politics and religion. Having studied and lived in the Middle East over the past decade, Karin von Roques has an intimate and unique understanding of the region and its artists. With this show, she throws into relief the wide range of work emerging from the contemporary Middle East, bringing its seminal artists to an international audience.
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The work of more than a dozen influential artists from the Middle East offers a rare glimpse into the contemporary Arab and Iranian art worlds. Written Images: Contemporary Calligraphy from the Middle East, curated by noted art historian Karin von Roques, explores the role of traditional Islamic calligraphy and symbols in the contemporary Middle Eastern consciousness.
Arabic calligraphy in all its aesthetic and linguistic complexity is little understood in the West and often regarded as an art form belonging to the classic Islamic arts and, therefore, to the past. In fact, it plays an important role in contemporary Arab and Iranian art. For centuries, the written word has been at the center of Islamic visual culture鈥� a legacy that persists even today.
Artists including Iraqi Hassan Massoudy, and Tunisian Nja Mahdaoui were among the first to look at writing from an entirely new perspective and reposition calligraphy in the contemporary context. They have deftly expanded its potential so it is image as well as language. For them and the other artists in this show, writing is more than the legible word; they use it as a pictorial, formal element, referencing a multitude of issues鈥攔eligious, social, political and personal.
Working with different media, including paint on canvas, collage, ink on paper, gold leaf and silkscreen, these artists take traditional Arabic script and symbols as their point of departure. Qatari artist Yousef Ahmad distills Arabic letters into abstract shapes and gestural marks that sweep across dreamlike mixed-media surfaces. Syrian artist Khaled Al-Saa鈥檌 is inspired by poetry and Sufi philosophy, and paints spacious landscapes in which words float, overlap and follow their own particular rhythm. Offering a nuanced view of the culture of the Middle East, these innovative artists create complex contemporary works that draw on the spiritual depth of ancient Islamic art.
Rather than singling out Arab culture as 鈥渙ther,鈥� this exhibition aims to further intercultural dialogue between the Arab world and the West. It follows on the success of Signs: Contemporary Arab Art, also curated by Karin von Roques, mounted at Sundaram Tagore New York in 2009 and Sundaram Tagore Beverly Hills in 2010. Both shows offer a view of the culture of the Islamic world apart from the usual subjects of politics and religion. Having studied and lived in the Middle East over the past decade, Karin von Roques has an intimate and unique understanding of the region and its artists. With this show, she throws into relief the wide range of work emerging from the contemporary Middle East, bringing its seminal artists to an international audience.
Arabic calligraphy in all its aesthetic and linguistic complexity is little understood in the West and often regarded as an art form belonging to the classic Islamic arts and, therefore, to the past. In fact, it plays an important role in contemporary Arab and Iranian art. For centuries, the written word has been at the center of Islamic visual culture鈥� a legacy that persists even today.
Artists including Iraqi Hassan Massoudy, and Tunisian Nja Mahdaoui were among the first to look at writing from an entirely new perspective and reposition calligraphy in the contemporary context. They have deftly expanded its potential so it is image as well as language. For them and the other artists in this show, writing is more than the legible word; they use it as a pictorial, formal element, referencing a multitude of issues鈥攔eligious, social, political and personal.
Working with different media, including paint on canvas, collage, ink on paper, gold leaf and silkscreen, these artists take traditional Arabic script and symbols as their point of departure. Qatari artist Yousef Ahmad distills Arabic letters into abstract shapes and gestural marks that sweep across dreamlike mixed-media surfaces. Syrian artist Khaled Al-Saa鈥檌 is inspired by poetry and Sufi philosophy, and paints spacious landscapes in which words float, overlap and follow their own particular rhythm. Offering a nuanced view of the culture of the Middle East, these innovative artists create complex contemporary works that draw on the spiritual depth of ancient Islamic art.
Rather than singling out Arab culture as 鈥渙ther,鈥� this exhibition aims to further intercultural dialogue between the Arab world and the West. It follows on the success of Signs: Contemporary Arab Art, also curated by Karin von Roques, mounted at Sundaram Tagore New York in 2009 and Sundaram Tagore Beverly Hills in 2010. Both shows offer a view of the culture of the Islamic world apart from the usual subjects of politics and religion. Having studied and lived in the Middle East over the past decade, Karin von Roques has an intimate and unique understanding of the region and its artists. With this show, she throws into relief the wide range of work emerging from the contemporary Middle East, bringing its seminal artists to an international audience.
