Yorkshire Sculpture International
A celebration of sculpture in all its forms, Yorkshire Sculpture International is presented by four world-renowned cultural institutions based in Leeds and Wakefield - the Henry Moore Institute, Leeds Art Gallery, The Hepworth Wakefield and Yorkshire Sculpture Park.
There will be an extensive public engagement programme that will support artistic talent development in the region and introduce new audiences to sculpture. People of all ages will have the opportunity to connect with sculpture, inspiring them to think about, talk about, and make sculpture.
Important sculptures and works on paper in Yorkshire Sculpture Park’s Underground Gallery and the open air will show the development of David Smith’s sculptural practice, including previously unseen artefacts from Smith’s home. Smith aligned himself to an anthropological trajectory, embracing the creative continuity that connects humanity across millennia, connecting to an ancient tradition of making and fettling. This exhibition examines the immediacy of his sculpture; its sometimes obdurate, sometimes tactile nature; its shared space with man, machine, and natural forms; and the social/human impulse through which Smith developed abstraction from the automotive factory and foundry.
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A celebration of sculpture in all its forms, Yorkshire Sculpture International is presented by four world-renowned cultural institutions based in Leeds and Wakefield - the Henry Moore Institute, Leeds Art Gallery, The Hepworth Wakefield and Yorkshire Sculpture Park.
There will be an extensive public engagement programme that will support artistic talent development in the region and introduce new audiences to sculpture. People of all ages will have the opportunity to connect with sculpture, inspiring them to think about, talk about, and make sculpture.
Important sculptures and works on paper in Yorkshire Sculpture Park’s Underground Gallery and the open air will show the development of David Smith’s sculptural practice, including previously unseen artefacts from Smith’s home. Smith aligned himself to an anthropological trajectory, embracing the creative continuity that connects humanity across millennia, connecting to an ancient tradition of making and fettling. This exhibition examines the immediacy of his sculpture; its sometimes obdurate, sometimes tactile nature; its shared space with man, machine, and natural forms; and the social/human impulse through which Smith developed abstraction from the automotive factory and foundry.
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