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It has been 100 years since French writer Andr茅 Breton (1896- 1966) published the Surrealist Manifesto, which defined a new art movement devoted to the unconscious, uncanny and unconventional.
As a collection of Imants Tillers鈥檚 essays over forty years Credo is more than the sum of its parts, offering reflection on many discussions in contemporary art in Australia from the 1980s onwards...