As a collection of Imants Tillers’s essays over forty years Credo is more than the sum of its parts, offering reflection on many discussions in contemporary art in Australia from the 1980s onwards...
Celebrating Savvas's exhibition Amathous at ARC ONE Gallery, Melbourne, we're pleased to share Paul Flynn's interview with the artist from our print archive.
On May 11, Sydney Contemporary announced the gallery lineup for its sixth edition—the first large-scale, in-person fair to be held in Australia since the outbreak of Covid-19—scheduled for September 9–12 at the art and cultural hub Carriageworks.
For almost forty years, Sydney artist Eugenia Raskopoulos has woven her own image and experiences into a series of subversive photographs, films and installations that complicate the hierarchies of identity, language and the body.
As two friends who first started taking photos together when we were sixteen years old, our artistic process sprung from a place of curiosity, impulse and desire.
SEOUL—Dealers packed up their booths at KIAF 2010 Monday night after a fair that had seemed at times — in the wry words of one international gallerist