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Raves about the grand David Hockney 25 retrospective at the Fondation Louis Vuitton in Paris (on view until August 31), which I will not have an opportunity to see, have been wafting over the English Channel and across the Atlantic all spring and early summer.

As 125 galleries across London take part from 6-8 June 2025, here are ten things not to miss, from David Hockney’s ‘Love’ series to Kayode Ojo’s look at the superficiality of taste.

Two concurrent solo exhibitions paint a much broader portrait of the artist Celia Paul, debunking the myth of her as a recluse and showing us some of who and what went into making her her.

"Celia Paul: Works 1975–2025" traces the career of an artist who has made stillness both a subject and a lifelong discipline.

Marking 60 years since Bridget Riley’s inclusion in the landmark 1965 exhibition The ResponsiveEye at the Museum of Modern Art, New York, Hazlitt Holland-Hibbert’s loan exhibition features animpressive selection of early Riley black and white paintings and drawings.

In The Mood For Love features experimental paintings that the British artist made made during and immediately after his time at London’s Royal College of Art (RCA).

Master Drawings New York has announced the exhibitors for the 2025 fair on view February 1-8. 

Sixty years after Pasmore and Heron showed together at the eighth São Paulo biennial, this abridged reimagining of the show provides a history lesson on two of Britain’s pioneering abstract artists.

I begin the November Art Diary with exhibitions by artists with whom I have some former connections, starting with some I have interviewed, such as Michael Petry, Sean Scully and Genesis Tramaine.

The organizers of Art Basel today announced 287 participants in the Swiss fair’s flagship edition, to take place June 13–16, with preview days on June 11 and 12.

The organizers of Art Basel today announced 287 participants in the Swiss fair’s flagship edition, to take place June 13–16, with preview days on June 11 and 12.

London Gallery Weekend is the world’s largest event of its kind and unique among global gallery weekend events in the breadth and diversity of its participating galleries.

As Gertrude Stein said more than once, ‘There is no such thing as repetition.’ Her justification was simple enough.

He has painted the same people over and over, sometimes for 40 years, dabbing, rubbing out, then starting again.

Now in his 90s, the great German-British painter is finally putting his own face up for scrutiny – with wondrously strange results