The first comprehensive survey in Germany of the American feminist artist and video pioneer Lynn Hershman Leeson, at the Julia Stoschek Foundation, D眉sseldorf, is an exhilarating, if anxiety-inducing, experience.
In Virginia Woolf鈥檚 essay 鈥楻ambling Round Evelyn鈥 (1920), she explains that a 鈥済ood diarist writes either for himself alone or for a posterity so distant that it can safely hear...
The Julia Stoschek Foundation is excited to present Lynn Hershman Leeson: Are Our Eyes Targets?, the first solo exhibition by the renowned artist and media pioneer in D眉sseldorf.
Curated by Hans Ulrich Obrist, 鈥榃orldbuilding: Gaming and Art in the Digital Age鈥 at the Julia Stoschek Collection, D眉sseldorf, explores how artists can embrace and subvert the visual language and culture of video games.
Julia Stoscheck is collector who is interested above all to the performative practices and procedural research from the Sixties and Seventies and from everything that subsequently turned out to be research linked to the time factor and to the moving image...
Perceptions of truth are widely mediated through moving images. While they can be used by those in authority to exert influence, this exhibition explores the ways in which time-based media can connect political ideologies with the desire to create a world of one鈥檚 own.