The artist鈥檚 latest show connects the art industry with geopolitics, urging us to examine our role in a complicated negotiation of denial and strategic ignorance.
As a field historically predicated on the exploitation of women鈥檚 bodies, American gynecology has long had a synergistic relationship between medicine, science, sexual violence, and slavery.
Vintage, mass-produced porcelain knick-knacks take on new life in Debra Broz鈥檚 intricate and uncanny hybrids (previously). Collies and St. Bernards with the bodies of pheasants meet rabbits with curiously long appendages and woodland creatures with human arms.
Lila de Magalhaes鈥檚 fornicating insects, Kyungmi Shin鈥檚 excavation of the so-called 鈥淥rient,鈥 the late Steve Roden鈥檚 genre-bending work, and so much more.
L.A. painter Frank Ryan has achieved a remarkably balanced confluence of content, technique and scale in his mini-retrospective at Track 16 entitled 鈥淟ived Perspective鈥.
New poems by a dead poet with the help of A.I. (and his own photography); new and rare art books and the worlds (and parties) that spin in and around them...
Both Don Ed Hardy and Laurie Steelink refuse to adhere to traditional artistic hierarchies, an attitude they have shared throughout their 30-year friendship.
The small, unassuming wall relief at the entrance to 鈥淐onfluence,鈥 a modest but timely exhibition at Track 16 on the theme of water issues related to the Los Angeles River, turns out to be emblematic of what follows.
In many ways, the L.A. River altered the lives of gallerist Sean Meredith and artist Debra Scacco 鈥 though at different times and under different circumstances.