ºÚÁϲ»´òìÈ

Marking the centenary of the first group show of the quartet now known as the Scottish Colourists, this ambitious and provocative exhibition is the initiative of the Fleming Collection and has been organised by its curator emeritus, James Knox.

Gwen’s talent vastly outshone her brother’s – but both are treated with subtlety in this outstanding dual biography.

He was a wild, glamorous, promiscuous painter, the toast of the early 20th century, whose life and career eclipsed his sister’s. But, after dying almost unknown, Gwen is now having the last laugh.

The exhibition at Dovecot Studios in Edinburgh will also look at how the four artists interacted with their UK contemporaries

Artlyst has selected twelve art exhibitions that will take place out of London and around the UK during 2025.

Rosslyn Morgan responds to a call for a new national gallery for Welsh art.

The Private Collection of Mary and Alan Hobart – Pioneers of Modern British and Irish Art realised a total of £5,988,024.

Through their London gallery, Pyms — ‘a magical wizard’s mix of culture and commerce’ — the Hobarts drove a surge of interest in modern Irish art.

Christie’s will present the Private Collection of Mary and Alan Hobart, founders of Pyms Gallery and leading figures in the promotion of Irish art in Britain, to be auctioned on 19 November 2024 at Christie’s in London.

The Davies sisters grew up in a remote corner of Victorian Wales. They were religious, teetotal and never married.

Bellmans announced the auction on the 15th May of an early portrait painting by Dod Procter (British, 1892-1972) depicting a girl in a black dress with a fabulous red hat and striking wallpaper in the background from circa 1915.

Celebrated painter ‘went down the drain from the 1930s’, claims Rebecca John in a new interview.

Think of Romani people in art – what comes to mind? When we look at traditional art history, it is really rather disappointingly scarce.

Since 2020, Nicholas Cullinan has overseen an acclaimed £41.3m renovation, which reopened on time and on budget, no mean feat.

Robilant+Voena is now showing an exhibition of works by Old Master, nineteenth- and twentieth-century women artists, alongside portraits of and works belonging to notable women in artistic, cultural or intellectual spheres.