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V&A East Storehouse, London The Victoria & Albert鈥檚 new warehouse boasts a mind-boggling 250,000 artefacts. Our art critic tries its 鈥榦rder an object鈥� service and gets intimate with some national treasures 鈥� including 鈥榯he biggest Picasso in the world鈥�.

Art therapy, validated by scientific studies, helps heal invisible wounds by stimulating the mind and emotions through artistic creation.

The two-year remodelling of the Sainsbury Wing as the National Gallery's main entrance has allowed for new restorations and fresh curation of the museum's unrivalled collection of early Renaissance pictures.

The Museu de Arte de S茫o Paulo's recently unveiled expansion doubles the museum's exhibition space, making room for plural narratives and alternative art histories.

Art lovers across Europe are celebrating the unique genius of Hieronymus Bosch, the iconic Netherlandish painter of the late Middle Ages, as major museums housing his works join in marking "Bosch Day."

The Northern Renaissance took place in Europe north of the Alps, primarily in regions like the Netherlands, Germany, France, and England.

Have you ever wondered why two large owls sit on either side of the central panel in 鈥淭he Garden of Earthly Delights鈥� by Hieronymus Bosch? Or perhaps you鈥檝e noticed the strangely fleshy.

The London-based art advisor takes Whitewall on a tour through her TEFAF Maastricht favorites, immersing us in 7000 years of art history.

In his essay collection Those Passions, the great art historian TJ Clark proves the brilliance of his eye 鈥� when he isn鈥檛 being recondite.

The veteran critic sets out to unsettle received ideas in this collection of 22 dazzling essays

In The Neverending Story: Part II, curated by Bob Colacello, the Vito Schnabel Gallery continues to commemorate the 100th anniversary of the movement launched in Paris in 1924, with the French poet and philosopher Andre Breton鈥檚 Manifesto of Surrealism.

For every picturesque painting, there is at least one strange and bizarre counterpart.

The author looks at the defining features and similarities of work by Hieronymus Bosch, Max Beckmann and William Kentridge.

In one of its most ambitious recent exhibitions, the Louvre in Paris looks at how the depiction of the fool鈥攁nd by extension the perception of madness鈥攈as evolved from the Middle Ages to the 19th century.

In 1494, Sebastian Brant wrote a psychology of a society discombobulated by modernization: The Ship of Fools.