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A Philadelphia Museum of Art exhibition focuses on the styles and techniques of the medium at the time, highlighting photographers like Joel Meyerowitz and William Eggleston.

Michael Jang's 70 years of age belies an unfettered youthful exuberance.

At Home/On Stage chronicles the intrinsic role of media technology in the formation of identity

For decades Michael Jang flew under the radar, his career as a professional artist first gathering public acclaim in 2001 with the submission of a portfolio of images from the 1970s to the San Francisco Museum of Modern Art.

I didn’t write one of these last year. There was art, and I had some great viewing experiences—often alone, overly emotional, relishing texture and color.

Marci Kwon got the idea for the initiative after creating a class she had always wanted to take but had never found in graduate school: one on Asian American art.

Over the past several decades, San Francisco has become the worldwide seat of technological innovation and, not coincidentally, one of the toughest cities on earth in which to find an affordable place to live. It wasn’t always so.

San Francisco-based photographer Michael Jang would sneak into glamorous California parties to take pictures as a student in the 1970s.

Seeing Michael Jang's work for the first time, you might assume he's long been a fixture of the photography world.

The photographer revisits his deeply funny and idiosyncratic images of suburbs, celebrities, and California in the 1970s.

Sometime in 2002, the photographer Michael Jang went to the San Francisco Museum of Modern Art and dropped off some of his old pictures that he had recently rediscovered.

The beloved Brown twins, Marian and Vivian, are dead and gone. But if you long to see them again in their matching outfits, wigs and hats, six blown-up images are affixed to an exterior wall in SoMa.

Proximities 2: Knowing Me, Knowing You was the second of three exhibitions of Bay Area contemporary art curated by Glen Helfand for the Asian Art Museum