黑料不打烊

For the inaugural edition, artistic director Pedro Alonzo rejected spectacle in favor of local responsivity rooted in lived experience.

Works at the inaugural triennial entreat locals and visitors alike to imagine new ways of understanding our world.

Grab your tools, we鈥檙e going digging. The May issue of ArtReview seeks out the in-betweens, the what-ifs and the all-at-onces: the spaces that can be carved out to make way for creative reimaginings.

The Boston Public Art Triennial will display dozens of pieces downtown and in neighborhoods across the city, reflecting much-changed appetites for public art.

Platinum to Postcards: Collecting Photography at MAM (2000鈥� 2025) offers a rare look at the Montclair Art Museum鈥檚 photography acquisitions over the past 25 years鈥攆rom early 20th-century prints to bold contemporary works.

After a year off, the often controversial art festival returns, having signed a new three-year funding deal with the state government

鈥淚ndigenous Identities: Here, Now & Always鈥� refuses easy coherence.

At the Shepherd, a restored Romanesque-style church, Detroit gallery Library Street Collective presents Warp and Weft: Technologies within Textiles, a hefty group show of thirty-six artists, curated by Allison Glenn, Artistic Director of the Shepherd.

In just four years, the Gochman Family Collection has assembled one of the most significant holdings of works by contemporary Indigenous artists and creatives.

The Toledo Museum of Art (TMA) announces the acquisition of 264 artworks through purchase and gift in 2024. Encompassing works from the 12th through 21st centuries.

The Tlingit-Unangax虃 artist's work expands on the conversation around the sovereignty of Indigenous people to confront our destructive relationship with the land.

From the visual pleasures of Mary Sully to the cultural critique of Gary Simmons, to a lesson in Haitian art history, there鈥檚 plenty of great art to see right now.

Nicholas Galanin鈥檚 鈥淓xist in the Width of a Knife鈥檚 Edge鈥濃�攑art of the Baltimore Museum of Art鈥檚 鈥淧reoccupied: Indigenizing the Museum鈥� series鈥攊s an exhibition that pushes back against power imbalances played out, in part.

Between 1869 and the 1960s in the U.S., thousands of Indigenous children attended at least 523 boarding schools, supported by the government and church groups that were fueled by the grim motto...

From Felix Gonzales-Torres' largest-ever show in the city to the psychedelic universes of OSGEMEOS, there's a lot of art to see in the nation's capital.