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106 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    A Scholar in his Study ("Faust") by Rembrandt van Rijn, circa 1652

    A Scholar in his Study ("Faust") ,circa 1652

    Etching, engraving and drypoint
    ht 213x163 mm; 8 x6 inches,
    Estimate:
    Result:
    A Scholar in his Study-Faust by Rembrandt van Rijn, 1652

    A Scholar in his Study-Faust ,1652

    Etching, engraving and drypoint
    20,9 x 16 cm
    Estimate:
    Result:
    My Collection
    A Scholar in his Study ('Faust') (B., Holl., New Holl. 270; H. 260) by Rembrandt van Rijn, circa 1652

    A Scholar in his Study ('Faust') (B., Holl., New Holl. 270; H. 260) ,circa 1652

    Etching, engraving and drypoint
    212 by 162mm
    Estimate:
    Result:
    A Scholar in His Study (Faust) by Rembrandt van Rijn, circa 1653

    A Scholar in His Study (Faust) ,circa 1653

    etching, engraving and dry point
    21 x 16 cm
    Estimate:
    Result:
    A Scholar in his Study (Faust) by Rembrandt van Rijn, circa 1652

    A Scholar in his Study (Faust) ,circa 1652

    etching with engraving and drypoint
    Sheet 210 x 162 mm.
    Estimate:
    Result:
    A SCHOLAR IN HIS STUDY ('FAUST') (B., HOLL. 270; NEW HOLL. 270; H. 260) by Rembrandt van Rijn, circa 1652

    A SCHOLAR IN HIS STUDY ('FAUST') (B., HOLL. 270; NEW HOLL. 270; H. 260) ,circa 1652

    Etching with engraving and drypoint
    plate: 209 by 160mm 8 1/4 by 6 3/8 in sheet: 212 by 163mm 8 3/8 by 6 1/2 in
    Estimate:
    Result:
    The Adoration of the Shepherds: A Night Piece by Rembrandt van Rijn, Circa 1652

    The Adoration of the Shepherds: A Night Piece ,Circa 1652

    Etching, engraving and drypoint
    152x197 mm; 6x7 3/4 inches
    Estimate:
    Result:
    The Adoration of the Shepherds: A Night Piece by Rembrandt van Rijn, circa 1652

    The Adoration of the Shepherds: A Night Piece ,circa 1652

    Etching, engraving and drypoint
    152x197 mm; 6x7 3/4 inches
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    SELF-PORTRAIT IN A CLOAK WITH A FALLING COLLAR: BUST (B., HOLL. 15; NEW HOLL. 98W; H. 63)

    SELF-PORTRAIT IN A CLOAK WITH A FALLING COLLAR: BUST (B., HOLL. 15; NEW HOLL. 98W; H. 63)

    THE REST ON THE FLIGHT INTO EGYPT: A NIGHT PIECE (B., HOLL. 57; NEW HOLL. 216; H. 208)

    THE REST ON THE FLIGHT INTO EGYPT: A NIGHT PIECE (B., HOLL. 57; NEW HOLL. 216; H. 208)

    WOMAN BATHING HER FEET AT A BROOK (B., HOLL. 200; NEW HOLL. 309; H. 289)

    WOMAN BATHING HER FEET AT A BROOK (B., HOLL. 200; NEW HOLL. 309; H. 289)

    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172)

    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172)

    THE PRESENTATION IN THE TEMPLE: OBLONG PLATE (B., HOLL. 49; NEW HOLL. 184; H. 162)

    THE PRESENTATION IN THE TEMPLE: OBLONG PLATE (B., HOLL. 49; NEW HOLL. 184; H. 162)

    JAN UYTENBOGAERT, 'THE GOLDWEIGHER' (B., HOLL. 281; NEW HOLL. 172; H. 167)

    JAN UYTENBOGAERT, 'THE GOLDWEIGHER' (B., HOLL. 281; NEW HOLL. 172; H. 167)

    SELF-PORTRAIT IN A CAP, WIDE-EYED AND OPEN-MOUTHED (B., HOLL. 320; NEW HOLL. 69; H. 32)

    SELF-PORTRAIT IN A CAP, WIDE-EYED AND OPEN-MOUTHED (B., HOLL. 320; NEW HOLL. 69; H. 32)

    ST. JEROME IN A DARK CHAMBER (B., HOLL. 105; NEW HOLL. 212; H. 201)

    ST. JEROME IN A DARK CHAMBER (B., HOLL. 105; NEW HOLL. 212; H. 201)

    A BLIND HURDY-GURDY PLAYER AND FAMILY RECEIVING ALMS (B., HOLL. 176; NEW HOLL. 243; H. 233)

    A BLIND HURDY-GURDY PLAYER AND FAMILY RECEIVING ALMS (B., HOLL. 176; NEW HOLL. 243; H. 233)

    ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140)

    ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140)

    Recent Lots by Rembrandt van Rijn

    After Rembrandt van Rijn Head and shoulders self portrait Oil on panel - Rembrandt van Rijn

    After Rembrandt van Rijn Head and shoulders self portrait Oil on panel - Rembrandt van Rijn

    Bowler & Binnie;
    SF after Rembrandt Van Rijn Half bust portrait of Rembrandt Engraving Initials S.F and dated 1848 - Rembrandt van Rijn

    SF after Rembrandt Van Rijn Half bust portrait of Rembrandt Engraving Initials S.F and dated 1848 - Rembrandt van Rijn

    Bowler & Binnie;
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    Rembrandt van Rijn Prints & Graphic Art Performance

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