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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Jews in the Synagogue (Bartsch 126) by Rembrandt van Rijn, 1648

    Jews in the Synagogue (Bartsch 126) ,1648

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    71 x 129mm (2 3/4 x 5 1/8in)
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    Jews in the Synagogue by Rembrandt van Rijn, 1648

    Jews in the Synagogue ,1648

    Etching
    73x130 mm; 2 3/4x5 1/4 inches
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    Result:
    My Collection
    Jews in the Synagogue by Rembrandt van Rijn, 1648

    Jews in the Synagogue ,1648

    etching
    7 x 13 cm
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    Result:
    Jews in the Synagogue by Rembrandt van Rijn, 1648

    Jews in the Synagogue ,1648

    Etching
    73x130 mm
    Estimate:
    Result:
    Jews in the Synagogue by Rembrandt van Rijn, 1648

    Jews in the Synagogue ,1648

    Etching
    73x130 mm; 2戮x5录 inches
    Estimate:
    Result:
    Jews in the Synagogue by Rembrandt van Rijn, 1648

    Jews in the Synagogue ,1648

    Etching
    2 3/4x5 1/4 inches
    Estimate:
    Result:
    Jews in the Synagogue by Rembrandt van Rijn, 1648

    Jews in the Synagogue ,1648

    Etching
    2 3/4 x 5 1/4 in
    Estimate:
    Result:
    Jews in the Synagogue by Rembrandt van Rijn, 1648

    Jews in the Synagogue ,1648

    Etching
    2 3/4 x 5 1/4 in.
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    THE QUACKSALVER (B., HOLL. 129; NEW HOLL. 145; H. 139)

    THE QUACKSALVER (B., HOLL. 129; NEW HOLL. 145; H. 139)

    SELF-PORTRAIT WITH RAISED SABRE (B., HOLL. 18; NEW HOLL. 134; H. 109)

    SELF-PORTRAIT WITH RAISED SABRE (B., HOLL. 18; NEW HOLL. 134; H. 109)

    THE DESCENT FROM THE CROSS: A SKETCH (B., HOLL. 82; NEW HOLL. 204; H. 199)

    THE DESCENT FROM THE CROSS: A SKETCH (B., HOLL. 82; NEW HOLL. 204; H. 199)

    5 WORKS: A SCHOLAR IN HIS STUDY ('FAUST') (B., HOLL., NEW HOLL. 270; H. 260)

    5 WORKS: A SCHOLAR IN HIS STUDY ('FAUST') (B., HOLL., NEW HOLL. 270; H. 260)

    THE ARTIST'S MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH (B., HOLL. 348; NEW HOLL. 86; H. 51)

    THE ARTIST'S MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH (B., HOLL. 348; NEW HOLL. 86; H. 51)

    THE GOLDSMITH (B., HOLL. 123; NEW HOLL. 289; H. 285)

    THE GOLDSMITH (B., HOLL. 123; NEW HOLL. 289; H. 285)

    STUDIES OF HEAD OF SASKIA AND OTHERS (B., HOLL. 365; NEW HOLL. 157; H. 145)

    STUDIES OF HEAD OF SASKIA AND OTHERS (B., HOLL. 365; NEW HOLL. 157; H. 145)

    SELF-PORTRAIT ETCHING AT A WINDOW (B., HOLL. 22; NEW HOLL. 240; H. 229)

    SELF-PORTRAIT ETCHING AT A WINDOW (B., HOLL. 22; NEW HOLL. 240; H. 229)

    SELF-PORTRAIT IN A FLAT CAP AND EMBROIDERED DRESS (B., HOLL. 26; NEW HOLL. 210; H. 157)

    SELF-PORTRAIT IN A FLAT CAP AND EMBROIDERED DRESS (B., HOLL. 26; NEW HOLL. 210; H. 157)

    CLEMENT DE JONGHE, PRINTSELLER (B., HOLL. 272; NEW HOLL. 264; H. 251)

    CLEMENT DE JONGHE, PRINTSELLER (B., HOLL. 272; NEW HOLL. 264; H. 251)

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