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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Apples, Pears & Grapes, May 1986 (M.C.A.T. 291) by David Hockney, 1986

    Apples, Pears & Grapes, May 1986 (M.C.A.T. 291) ,1986

    Home-made print executed on an office colour copy machine, on Arches Text paper, the full sheet.
    21.6 x 35.6 cm (8 1/2 x 14 in.) framed 14.5 x 20 x 1 cm
    Estimate:
    Result:
    Celia with Chair (M.C.A.T. 306) by David Hockney, 1986

    Celia with Chair (M.C.A.T. 306) ,1986

    Home-made print executed on an office colour copy machine, on Arches Text paper, the full sheet.
    21.5 x 27.9 cm (8 1/2 x 11 in.)
    Estimate:
    Result:
    Two Red Chairs and Table, March 1986 (M.C.A.T. 316) by David Hockney, 1986

    Two Red Chairs and Table, March 1986 (M.C.A.T. 316) ,1986

    Home-made print executed on an office colour copy machine, on Arches Text paper, the full sheet.
    21.4 x 27.8 cm (8 3/8 x 10 7/8 in.)
    Estimate:
    Result:
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    My Window: No. 281, 23rd July 2010

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    Franco-American Mail, plate 5 from The Blue Guitar (S.A.C. 203, M.C.A.T. 182)

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    Serenade, plate 19 from The Blue Guitar (S.A.C. 217, M.C.A.T. 196)

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    Apples, Pears & Grapes, May 1986 (M.C.A.T. 291)

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    Untitled No. 1, from The Yosemite Suite

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    Etching is the Subject, plate 14 from The Blue Guitar (S.A.C. 212, M.C.A.T. 191)

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