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36 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    THE THREE TREES (B., HOLL. 212; NEW HOLL. 214; H. 205) by Rembrandt van Rijn, 1643

    THE THREE TREES (B., HOLL. 212; NEW HOLL. 214; H. 205) ,1643

    Etching with engraving and drypoint
    sheet: 209 by 280mm 8录 by 11in
    Estimate:
    Result:
    The Three Trees (B., Holl. 212; New Holl. 214; H. 205) by Rembrandt van Rijn, 1643

    The Three Trees (B., Holl. 212; New Holl. 214; H. 205) ,1643

    Etching with engraving and drypoint
    H. 205 plate: 208 by 280mm 8录 by 11in sheet: 210 by 282mm 8录 by 11鈪沬n
    Estimate:
    Result:
    My Collection
    The Three Trees by Rembrandt van Rijn, 1643

    The Three Trees ,1643

    etching with engraving and drypoint
    Plate & Sheet 213 x 281 mm
    Estimate:
    Result:
    The Flight into Egypt: Altered from Seghers by Rembrandt van Rijn, circa 1653

    The Flight into Egypt: Altered from Seghers ,circa 1653

    etching with engraving and drypoint
    S. 205 x 283 mm
    Estimate:
    Result:
    The Flight into Egypt: Altered from Seghers (B., Holl. 56; H. 266) by Rembrandt van Rijn, circa 1635

    The Flight into Egypt: Altered from Seghers (B., Holl. 56; H. 266) ,circa 1635

    etching with engraving and drypoint
    S. 212 x 285 mm
    Estimate:
    Result:
    The Three Trees by Rembrandt van Rijn, 1643

    The Three Trees ,1643

    etching with engraving and drypoint
    212 x 278 mm. Sheet 218 x 283 mm.
    Estimate:
    Result:
    The Angel appearing to the Shepherds by Rembrandt van Rijn, 1634

    The Angel appearing to the Shepherds ,1634

    etching with engraving and drypoint
    Plate 262 x 218 mm. Sheet 270 x 225 mm
    Estimate:
    Result:
    The Three Trees by Rembrandt van Rijn, 1643

    The Three Trees ,1643

    etching with engraving and drypoint
    Sheet 214 x 279 mm
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    SELF-PORTRAIT IN A FUR CAP: BUST (B., HOLL. 24; NEW HOLL. 72; H. 29)

    SELF-PORTRAIT IN A FUR CAP: BUST (B., HOLL. 24; NEW HOLL. 72; H. 29)

    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290)

    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290)

    BEARDED OLD MAN IN A HIGH FUR CAP, WITH EYES CLOSED (B., HOLL. 290; NEW HOLL. 148; H. 130)

    BEARDED OLD MAN IN A HIGH FUR CAP, WITH EYES CLOSED (B., HOLL. 290; NEW HOLL. 148; H. 130)

    OLD MAN WITH A DIVIDED CAP (B., HOLL. 265; NEW HOLL. 182; H. 170)

    OLD MAN WITH A DIVIDED CAP (B., HOLL. 265; NEW HOLL. 182; H. 170)

    THE PRESENTATION IN THE TEMPLE: OBLONG PRINT (B., HOLL. 49; NEW HOLL. 184; H. 162)

    THE PRESENTATION IN THE TEMPLE: OBLONG聽PRINT聽(B., HOLL. 49; NEW HOLL. 184; H. 162)

    SELF-PORTRAIT WITH CAP PULLED FORWARD (B., HOLL. 319; NEW HOLL. 71; H. 58)

    SELF-PORTRAIT WITH CAP PULLED FORWARD (B., HOLL. 319; NEW HOLL. 71; H. 58)

    SELF-PORTRAIT IN A CAP AND SCARF WITH THE FACE DARK: BUST (B., HOLL. 17; NEW HOLL. 120; H. 108)

    SELF-PORTRAIT IN A CAP AND SCARF WITH THE FACE DARK: BUST (B., HOLL. 17; NEW HOLL. 120; H. 108)

    THE SLEEPING HERDSMAN (B., HOLL. 189; NEW HOLL. 217; H. 207)

    THE SLEEPING HERDSMAN (B., HOLL. 189; NEW HOLL. 217; H. 207)

    BEGGAR SEATED WARMING HIS HANDS AT A CHAFING DISH (B., HOLL. 173; NEW HOLL. 44; H. 8)

    BEGGAR SEATED WARMING HIS HANDS AT A CHAFING DISH (B., HOLL. 173; NEW HOLL. 44; H. 8)

    THE GOOD SAMARITAN (B., HOLL. 90; NEW HOLL. 116; H. 101)

    THE GOOD SAMARITAN (B., HOLL. 90; NEW HOLL. 116; H. 101)

    Recent Lots by Rembrandt van Rijn

    After Rembrandt van Rijn Head and shoulders self portrait Oil on panel - Rembrandt van Rijn

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    Bowler & Binnie;
    SF after Rembrandt Van Rijn Half bust portrait of Rembrandt Engraving Initials S.F and dated 1848 - Rembrandt van Rijn

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