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2 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    No. 3, Figaro by Eugène Berman, 1953

    No. 3, Figaro ,1953

    Ink and watercolor on paper
    11 3/4 x 8 5/8 inches
    Estimate:
    Result:
    Figure of a Man in Costume by Eugène Berman, 1952

    Figure of a Man in Costume ,1952

    ink and watercolor on paper
    11 3/4 x 8 3/4 inches
    Estimate:
    Result:
    La Serva Padova by Eugène Berman, 1952

    La Serva Padova ,1952

    ink and watercolor on paper
    13 1/2 x 10 1/2 inches
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    Result:
    Costume Design for La Forza del Destino by Eugène Berman, 1952

    Costume Design for La Forza del Destino ,1952

    Ink and watercolor on paper
    11 3/4 x 8 3/4 inches
    Estimate:
    Result:
    Rigoletto, Act I, Ballet by Eugène Berman, 1951

    Rigoletto, Act I, Ballet ,1951

    Ink and watercolor on paper
    11 3/4 x 8 3/4 inches
    Estimate:
    Result:
    Two Dancers by Eugène Berman, 1952

    Two Dancers ,1952

    Ink, gouache and pastel on paper
    11 3/4 x 8 7/8 inches
    Estimate:
    Result:
    Costume Study for a Woman by Eugène Berman, 1952

    Costume Study for a Woman ,1952

    Ink and watercolor on paper
    10 1/4 x 6 7/8 inches
    Estimate:
    Result:
    Don Giovanni, Act I, Scene 2, Ballet Girls by Eugène Berman, 1957

    Don Giovanni, Act I, Scene 2, Ballet Girls ,1957

    Ink and watercolor on paper
    9 7/8 x 6 1/2 inches
    Estimate:
    Result:
    (i) Rigoletto Act III, Executioner by Eugène Berman, 1951

    (i) Rigoletto Act III, Executioner ,1951

    Watercolor, ink and wash on paper
    11 3/4 x 9 1/2 inches (29.84 x 24.13 cm)
    Estimate:
    Result:
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